Image: “Self-Portrait,” by Alice B. Clagett, 23 December 2023, CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..
Image: “Self-Portrait,” by Alice B. Clagett, 23 December 2023, CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..
- INTRODUCTION
- VIDEO BY ALICE
- SUMMARY OF THE VIDEO
- VIDEO CREDITS
- MUSICAL CREDITS
INTRODUCTION
Dear Ones,
This is an attempt to facilitate a clearing process for some rather sensationalistic ‘acting out’ experiences that have been happening.
There is a Summary after the video …
VIDEO BY ALICE
SUMMARY OF THE VIDEO
Hello, Dear Ones, It’s Alice. I Am of the Stars.
A very happy holiday season to everyone. I am going to attempt, now that we are at the beginning of the New Year, to facilitate a clearing process for a knot of energy that has been coming up lately. It is rather sensationalistic ‘acting out’ experiences that have been happening.
There have been two skits performed in my presence … one a few years ago, on the grounds of a Christian religious retreat center. I was the only person to observe the performance, so at the time I thought it might have to do with me.
I was there for a get-together to discuss sacred scripture. I was the first person to arrive. In the seat that I usually sat in at that outdoor place was sitting a trans person in a very sexual outfit … with zebra-patterned spandex tights and stiletto high heels and so forth ,… very sexual in demeanor.
Next to the trans person was what I have come to term a ‘chaperone’ … which was an older woman, much shorter … maybe a foot and a half or more shorter than the trans person. The chaperone was sitting there very meekly. She was a very fragile-looking person who apparently was the person to protect the trans person from being raped, I am guessing?
Leaving, off on the side, was what seemed to be a movie personality who may have been putting together the skit. So there were three people.
The trans person got up from the seat and sauntered past me, in the direction of the director. The trans person’s chaperone accompanied her.
The feeling that I got was one of extreme physical danger to me … a feeling of hatred welling up and exuding outward towards me, as if physical attack were planned for me.
That was some years ago. I would not bring it up to you again now if it were not for the fact that the same tableau has come up again. It was only a while ago … maybe a month ago. I was going from the parking lot of a church, across the grounds of the church, and towards the church. I noticed a trans person.
It was right before the service. It was very evident the trans person was there because their garb stood out so much. They were wearing hip boots with heels, but not stiletto heels … more like comfortable, walking heels.
They were wearing a tube dress that ended just at the bottom of their torso, so it exposed a length of leg from the bottom of their torso to the beginning of the hip boot. And so the look was very sexual … very unusual. It attracted attention.
Then I went into the church, past the people, and I sat down. As the people filed in, this trans person sat down directly in front of me, near the back of the church.
Next to this trans person was sitting another chaperone …. it was another very short, meek-looking, very fragile-looking older woman … more like a grandmother … who was, I think, in the role once more of a chaperone.
But there was one more figure. It was once more a tableau of three. Standing against the wall, right next to me, was a nun in the type of habit that used to be worn when I was in grade school.
So there were three people: The trans person, the chaperone, and the guarding nun.
You could say I was targeted by the Dark. I am beginning to get the feeling that I was targeted by some person who is putting together skits or performances, and has something that they want to tell me. But the question is: What is that thing that they want to tell me? … because they were not using words. No words were conveyed.
In this second instance, as the trans person got up at the end of the service to leave, I saw the trans person direct a slanting look at me that was also full of hatred … full of the desire to injure. And I felt that I had to be ready, on the spur of the moment, to protect my physical body from harm.
Fortunately nothing happened. It was just a look, as in the prior skit. But yet there was this heightened feeling of physical danger directly before me.
In my case, because I am a martial artist, it concerned me because in the pews, the way that people sit in the church, they are within the ‘ma’. They are too close together to be a safe distance between two physical combatants … two people who are engaged in combat.
The trans person had longer arms than I, and so therefore the danger was my own. With a punch, that person could reach me, and I could not reach them. Do you understand? It is called ‘invasion of ma’ in the martial arts. ‘Ma’ is the distance that is safe; it is about a yard apart. For people who are very good martial artists, the ‘ma’ is about five feet apart.
So anyway, I have to piece together the situation. Someone told me, on the psychic plane, that it is a way of expressing something that does not involve speaking to the person to whom the message is intended to be conveyed.
It could be a way of trying to resolve issues. For instance, it might be classed with creative writing, or with writing of poetry, or with drawing or painting pictures, or telling stories, as one of the ways that people use to resolve ongoing issues in their lives.
It could be these people who have been doing these skits are performing them for me on behalf of someone else who has an issue that he or she is trying to resolve. And so I am going to give it my best effort here.
I feel that there are issues around gender identification that have to do with fear of the opposite sex … fear of intimacy with the opposite sex … and concerns about competition … male-male competition, female-female competition, male-female competition, and female-male competition.
I am going to try to explain how this feels symbolically to me as a woman. It feels to me that each of the people who play the trans role in both of these skits has a feeling of deep hatred towards women.
From this I would derive that the person who put together the plays is intending to convey that he or she has a deep hatred of women.
And also I would say … because of the number of people set against me (or so it seems) in both of these skits … the woman (I, for instance) must be conceived of as incredibly powerful … as if two or three people are needed to prevent harm to the trans person.
So what I am getting is that the originator of the skits must feel hatred of women, and also fear of women, with the notion that they have great power … that they are capable of great power and that they need to be subdued by a number of people acting together.
So that is one thing. Then I have the chaperone. In both instances I have the chaperone. The chaperone seems to me to represent the disrespect that the originator of the skits has towards women … that he or she conceives the role he or she has with regard to women to be to relate to them as feeble, small, physically ineffectual people who could easily be conquered and killed. That is what I get … that in each instance, the trans person has so much hatred of women that he could easily injure or kill the chaperone who is there in some kind of socially acceptable role … perhaps as a spoof … perhaps to prevent the men in the congregation from raping the trans person, or to prevent me from approaching the trans person, who may be perceived as being infinitely desirable?
I do not know how I am doing with this! I am just coming up with this on the fly. You will have to forgive me.
So then in the second instance, we have the nun standing in the aisle, ready to reprimand me. First of all, I would like to make it clear that it is easy to buy these types of religious regalia online. And so it is possible, I think, that spoofs are being performed with religious regalia purchased online … maybe being performed by people in the movie industry … and that the intention might be to persuade the pastors at churches that the religious authority … the religious establishment. .. is behind the performances that are being given.
In other words, it could be that there is ‘false authority’ there, inspired by religious regalia that are purchased, and not actually condoned by the religious in question.
So this is the question: Was the nun really a nun, or was this habit purchased online? I cannot answer the question!
Let’s say that a nun was persuaded to be there, under the pretext that … say … I am a very dangerous person, and that the trans person … who was born a man, and who might have fighting ability, for all I know, and who seems to hate me, might have displaced or substituted me as the person who does the hating … and that the nun may have become convinced of this … and that she was standing there to preserve decorum in case I should have a verbal outburst with regard to the trans person?
If I walked into that church with that person’s clothes on, what would happen? If I tried to walk up and get communion in a Christian church in that outfit? I am just asking: Could I get communion?
So what are the rules to do with men and women regarding this? Is trans so popular that they can get away with anything? And I cannot, right? Why is this?
Who really needs protecting in this situation? The women need protecting, I feel. There is a great deal of hatred there.
Now let’s suppose that the woman who is in the religious regalia is actually just an actress. The cameras are rolling for the religious service. She is there to prevent me from injuring this person. And then if I put up a fuss … which would be far from anything I would ever do … then she would restrain me; and they would have some skit that they would be performing under the circumstances.
So let’s see: We have got the trans person, the physical danger to me, the physical danger to the chaperone. Then we have, in the second instance, the purported nun. We do not know if this is true or not true. The cameras are rolling for the church service. So it could be an intention to embarrass me in public.
But nothing happened.
If it is just an actor, it could be an intent to deceive me into thinking that the church is behind this performance … that there is true authority there. If the authority is needed in order to put on this performance, it must be considered that I am a very dangerous person, as a woman.
Something is up there.
We have an issue right now, with regard to hatred of women. How can I explain it?
In this stage production, two women and a trans person are set against one woman … me. That setting of the two women against another woman is a way of expressing female-female competition. It divides the ranks of women so that the trans person can attack the one woman and prevent the one woman from getting solidarity or support from other women. That is one thing.
The trans person is also intruding on the male-female prospects of the women in the congregation, because trans people also look for the romantic intention of male members of the congregation. So the trans person is also in competition with the female members of the congregation, in a female- female competition way.
A trans person who is involved in a sexual encounter with a man who is not trans … if the trans person behaves in the encounter in a receptive manner (as if he were female), he is, I feel, expressing a desire not to be hated by men … not to be competing with men. In other words, he is expressing a fear of the competitiveness of men, and a desire to have men love him.
I find there are MSM (men who have sex with men) relationships in which men bond. And there are also MSM encounters in which there is no bonding. And these chance encounters … these very quick encounters … are the trouble that comes up in social relationships.
That is because there is a disease called HIV that is being transmitted when there are lots of partners … many, many partners … maybe as many as 500 partners over the course of a number of years, when a person, whether trans or simply what is called ‘queer’ these days, is ‘on the circuit’ and very sexually active. And so, HIV is transmitted by one person to 500 people, let’s say.
Now suppose this is in a church situation. Let’s say, in the trans situation, that the trans person is infecting the men in the congregation with HIV.
Let’s say these men have wives. And the men infect their wives with HIV. And the women have children.
Infants to whom HIV is passed on by the mother, as I understand it, only live a year or two.
Now considering the scenario where gay men … or trans people … are passing on HIV to the entire congregation … I think it would take about 10 years for the entire sexually active congregation to be infected.
What will happen then is there will be no more children in the congregation … no viable offspring.
So we have to look at this as a symbol of what is going down in society as a whole. Unless there is a vaccine that prevents HIV from being fatal to newborns, then in the course of the next generation there will be a dramatic reduction in the number of viable births on Earth. The human population of the planet will greatly decline.
This will be good for Earth. I am sure it will not be the end of life on Earth for humankind. But I think that the numbers of human beings will create a more sustainable planet after that. We have that to look forward to.
We also have a need to help quell vigilante efforts and violence on the part of those who feel that certain persons are responsible for what is really going to be transpiring through God’s will … God’s will for Earth.
Getting back to this trans issue, I have my own concerns about it, because it is unfolding very slowly before me, through the will of someone who directs these actors, and who will not talk to me, and who apparently feels that the action of the actors is conveying a message that is patently clear.
I do not know what the message is, exactly. I can only speak to these various things that I feel, like …
- the hatred of the actors. I do not know why they hate me. I do not know if it s me or a lot of different people;
- the need of the trans person for support from women who will protect the trans person;
- possibly the assuming of false authority roles … because it is hard for me to believe that a church would support such a performance on church grounds.
I might be wrong; it might be emanating directly from the authority of these churches. I do not know.
But if it is, then I feel it is through a misunderstanding regarding the need for women to be protected by men, and not physically assaulted by them, not raped by them, not treated disrespectfully by them, not verbally abused by men.
None of these are roles for men with regard to women in a Christian church. I think that is clear. It ought to be clear.
We are clearing through this Atlantean knot during Winter Solstice, and during the holiday season. With the coming of the New Year we are coming into a melding of the highest energies of men and women, so that in New Life on New Earth men and women can support each other, and create for Earth the vision of Christ consciousness.
We cannot do this by putting each other down, and warring with each other, and competing with each other. We have to achieve a mutual respect. What children we may produce who can survive early childhood we have to nurture and protect from that virus. We have to do our best.
I feel there will be children who are resistant to the virus. And if there are not, then there will be pockets of life on Earth where the virus never touches. There will be a New Age.
So, that is what I am thinking. Psychologists will probably read this and think: Aw, she is oversensitive. Or: She thinks this; she thinks that.
What can I say? That is what I think. That is what I feel..
And you know, if somebody comes up with a silent skit in front of you, I do not really know what to say, because it could be the intent is deadly. It seems like that to me.
This is not the only time that very odd skits have been performed in front of me. There are actors here … there are people here who are not good with words.
I think first of all, preserve your physical safety. That is the very first thing.
And if there is a setting in which physical violence can be restrained, and you can speak to these people and find out what is going on, why then, so much the better!
If not, then this video may stimulate discussion on the topic, because the topic is ever so weird.
I will add one or two more things, just so that you can get a notion of the scope of the situation.
I remember a few years ago I was in Malibu Creek State Park. Standing in front of me, facing away, were a number of people dressed in Franciscan habits. I got a feeling just then that I was in danger and that this was an acting troupe.
I went online and looked up their particular outfits. It turned out they were available for sale online.
There is no way of knowing whether this was true authority of the Christian church standing in front of me … or just actors. The more so because, across the road at the National Park Headquarters at King Gillette Ranch, there are a lot of acting troupes and movie operations going on. That lends credence to the notion that it may have been an acting troupe.
Here is another instance: A few years ago I was walking out of my local Post Office. In front of me was a young man, maybe six feet tall, or nearly so, and approaching was a trans person, maybe 5 feet seven inches, and who had on black makeup to make that person look African American.
He was carrying behind him two old-fashioned baby carriages on a train of rope or chain. In one of those was a lap dog.
This trans person was dressed in kind of a garish outfit, a pants dress, and was wearing on their buttocks what looked like large-sized potato salad containers, taped on.
I was afraid to stay They were obstructing my path, and I was afraid to stay and talk, because the situation was so outlandish to me that I could not figure any good would come of it.
That is generally my reaction to these acting skits that keep unfolding in front of me. It seems like there is a madman behind it, you know?
Maybe there is something cogent there. But it seems to me as if Soul wounding is unfolding in front of me … Soul wounding of a nature too dark and deep for me to fathom. I do not know what to say.
Usually I do the Buddhist prayer, which is God’s blessing upon all beings. Happiness to all beings. May they all have a roof over their heads. May they all have plenty to eat … That kind of thing.
That takes it out of the personal realm, and into the Infinite. God’s will, not my will. May God figure out what this is about, because it is completely beyond me.
That is all for now.
God bless you all,
And keep you safe,
And be with you
Through all your days.
And may this New Year bring forth for you all the wonders of God’s creation; all of your Ascension gifts; all of your Ascension abilities; and a chance to be the Light for all humankind.
In love, light and joy
This is Alice B. Clagett.
I Am of the Stars … and so are you!
Filmed and published on 23 December 2023; revised on 6 July 2025 and on 23 March 2026
This post is included here … Link: “Compendium: Catastrophic Childhood Case Study: ‘Castratrux – Basal Vampire’,” by Alice B. Clagett, written and published on 14 March 2021; revised … https://wp.me/p2Rkym-m4H ..
VIDEO CREDITS
“Pragmatic Prophet: Rage Expressed as Performance Art”
by Alice B. Clagett
Filmed on 23 December 2023
Location: San Fernando Valley, CA
Produced by Shoes on 23 December 2023
CC BY-SA 4.0 International
MUSICAL CREDITS
Music by Alexander Nakarada from Pixabay
“Moon” – Pixabay License
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This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License (CC BY-SA 4.0). Attribution: By Alice B. Clagett.
More license information
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Pragmatic Prophecy, Christianity, transgender, crossdressing, transvestite, misogyny, female competition, male competition, HIV, AIDS, acting out, Soul wounding, Soul clearing, prophecies, almanac, 2024 New Year, Alice’s perilous tales,
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