Tag Archives: transvestite

Alice’s Perilous Tales: Why Do Trans Stalk? . by Alice B. Clagett *

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  • INTRODUCTION
  • VIDEO BY ALICE
  • SUMMARY OF THE VIDEO
    • Skit 1: Tableau of Trans, Nanny, and Makeup Artist
    • Skit 2: Tableau of Trans, Nanny, and Nun
    • Skit 3: Lesbian or Demure Trans and Gay Woman
    • Skit 4: Trans, Makeup Artist, and Lapdog
    • On Being Stalked
    • Activation of Light to Optimize Timelines and Dimensions
  • VIDEO CREDITS
  • IMAGE CREDITS
  • MUSICAL CREDITS

INTRODUCTION

Dear Ones,

Here is a video on archetypal images of transvestites and transgender individuals. The question is posed: Why do some trans stalk women? Why am I being stalked?

There is an edited Summary after the video.

VIDEO BY ALICE

SUMMARY OF THE VIDEO

Hello, Dear Ones, It’s Alice. I Am of the Stars.

I am going to explain, as well as I may, in terms of archetypal symbols, the trans encounters I have been having for the last number of years. and the effect that they have had on me.

I think that these encounters have to do with someone that I know, but I do not know who that person is. Obviously that person knows who they are. I am hoping that these explanations may help.

It seems to me that the performance art that I have been watching … or in my own terms, ‘subject to’, over these years has to do with the stuckness of the Soul … of Soul wounding in someone. I cannot say who; maybe quite a few people in the Atlantean age.

Skit 1: Tableau of Trans, Nanny, and Makeup Artist

There have been skits. I will take one for starters. There was a skit featuring a trans person … that is a person who was born as a man and is now either dressed as a woman, or else changed as to gender, into a woman. And so the first person in the first skit was a trans person

I have come up with an image to show you. It says ‘trans’ on it. I could only come up with a photo of a woman. But the look and feel of the trans person that I saw was very like this …

Why Do Trans Stalk?

Image: “Trans,” adapted from Image by Jim Cooper from Pixabay – Pixabay Content License

Image: “Trans,” adapted from Image by Jim Cooper from Pixabay – Pixabay Content License

. . . . .

… very super-feminine, very sexual, very well-made-up, very appealing to men, I feel. So I am using that ai-generated image for the trans personality.

And then in the first case … and in another case as well … there was a character that I call the ‘nanny’, or the ‘babysitter’, or the ‘mother substitute’. I have this image for that …

Image: “Nanny,” adapted from Image by Sibeal Artworks from Pixabay – Pixabay Content License

Image: “Nanny,” adapted from Image by Sibeal Artworks from Pixabay – Pixabay Content License

. . . . .

… the ‘nanny’; a much-older person born woman and posing as woman in the skit, and about a foot shorter than the trans person.

In the first skit there was another person. That was what I call the ‘makeup artist’.

Image: “Makeup Artist,” adapted from Image: “man-5996080_640,” by Makc from Pixabay — Iarisons2006, Pixabay content license

Image: “Makeup Artist,” adapted from Image: “man-5996080_640,” by Makc from Pixabay — Iarisons2006, Pixabay content license

. . . . .

He did not have a beard. It was a man born as a man, it seemed to me. And very handsome; very good looking … the ‘makeup artist’.

What happened was this: I was at a spiritual retreat center in Encino, California. I had been there many times before, in many circumstances. In fact, I was one of the co-facilitators of a meetup there. We met outdoors. The meetup was called “Rumi and Meditation.”

I was one of three co-facilitators. There was a particular spot where we all sat when we met once a month or so when I was around town.

I had the cart full of things that I needed for the meetup. I was trundling the cart along the sidewalk on my way to the normal meetup place. I saw, at the meetup place, sitting in what was usually my seat, this splendid trans person. Next to the trans person was the nanny, a person of much smaller stature.

As I walked up I saw … disappearing into the administration building of the retreat center … the makeup artist. Apparently he had just ‘made up’ the people for the performance art.

As I approached the trans person and the nanny, the trans person got up and splendidly walked or paraded past me, with the nanny just behind or nearby, and then went off in the direction of the makeup artist. All these actors were Caucasian.

The first thing I noticed is that the trans had taken my seat … had taken my role … had wanted, it seems, to be the star of my show.

Along that line there is a role that I play when I am in a social situation. That role is ‘straight woman’ …

Image: “Straight Woman,” self-portrait by Alice B. Clagett, 18 January 2024, , CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..

Image: “Straight Woman,” self-portrait by Alice B. Clagett, 18 January 2024, , CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..

. . . . .

I play the role of the ‘straight woman’; and I dress very conservatively in most circumstances. That is my role as the conservative straight woman.

This role is a pose so as to get along with other people because my true role, as I feel it, in the world right now is the role of ‘Lightworker’ …

Image: “Lightworker,” self-portrait by Alice B. Clagett, 4 January 2021, CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..

Image: “Lightworker,” self-portrait by Alice B. Clagett, 4 January 2021, CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..

. . . . .

I am a Lightworker. But nobody relates to that in the world at large, and in my sacred circles. They just do not recognize that role. So I pose as the older straight woman.

I was on my way to the meetup, and I was posing at that time as the older straight woman, very conservative.

There is this in addition: It seemed to me that the trans person thought of him/herself as extremely good-looking; and that any straight woman would be jealous of her and covetous of her beauty … and might also attack the trans sexually or attack her in rage … and that the nanny protected the trans from these types of attacks. That was what I got from that first encounter.

So: Trans, and the nanny, who is a type of woman who can get along with trans. And the makeup artist, who is important to the role of the trans as being very beautiful, as being very appealing to the men that the trans hopes to attract.

Why were they there at the spiritual retreat center? They wanted to make a statement to me. They knew I was there because Meetup publishes its meetings. They knew that I was one of the coordinators.

But why me? Well at first I thought it was just a mistake; maybe it was just a coincidence. But recently I was at a church service in Chatsworth, California; and the whole skit was performed once again. And the people involved sat down directly in front of me … in the pew in front of me.

So I began to get that this was a message specifically for me … a message from someone that I do not know, and that the message … without any words being spoken, conveys a significance to that person … a significance of which I am not aware.

I am trying to figure it out. This is a treasure hunt.

Skit 2: Tableau of Trans, Nanny, and Nun

Just before the service started the trans person came in. it was a very ravishing trans person, dressed very seductively, very alluringly. It was a different trans person … a different race. The trans was accompanied by a nanny of the same race as that of him/herself. In this case the trans and the nanny were oriental.

The nanny sat right beside the trans. And instead of the makeup artist, there was another performer standing in the aisle. That was a person that I call the ‘nun’. The nun was Caucasian, middle-aged, and slightly but not very plump. Now you see here the Madonna …

Image: “Nun,” adapted from Image: “The Virgin in Prayer,” by Giovanni Battista Salvi da Sassoferrato, between 1640 and 1650, in Wikimedia Commons … https://commons.wikimedia.org/wiki/File:Sassoferrato_-_Jungfrun_i_b%C3%B6n.jpg … public domain

Image: “Nun,” adapted from Image: “The Virgin in Prayer,” by Giovanni Battista Salvi da Sassoferrato, between 1640 and 1650, in Wikimedia Commons … https://commons.wikimedia.org/wiki/File:Sassoferrato_-_Jungfrun_i_b%C3%B6n.jpg … public domain

. . . . .

I could not find an image of a nun; but it was a nun in traditional habit who was standing against the wall and looking at me. The overall look of the nun was very like this image of the Madonna … very holy, very saintly, very sacred. So I am using an image of the Madonna to represent the nun.

So I was at church. I was dressed very conservatively as a straight woman … very quiet, very demure … and I was sitting behind them.

The first thing I got is that the dress code of the church was being violated by the trans person; not by the nanny, but by the trans person.

I also got that the nun standing against the wall was not really a nun; the nun was a performance artist, I thought. The nun was standing against the wall, between our two pews.

It seemed to me that the nun was there to reinforce the nanny as a protector of the trans person … as if the trans person felt that I held rage towards them, and that I would express it during the service.

My feeling about this is that it is likely that the trans person substituted me as the object of the rage that is within them. I will talk about that a little later on.

It seems to me that … because the trans person dresses so ravishingly at church, even though that is not the dress code of the church … it seems to me that the trans person finds it very important to be the only woman that is admired; the woman that outdoes all the other women in the church, and wins all the men.

In the trans person’s second skit there were two ways that women could be included in the trans world view; the first was the nanny, the protector, the one who is always loving, no matter what the trans does (just as in the first skit).

The second was nun; and this was new. I think, at the church it might have been a statement … this is just my guess … a statement that the role played by the trans at the church was sacred, and ought to be taken as a sacred thing rather than being laughed at, or sneered at, or scoffed … rather than me getting angry. It ought to be taken as a sacred thing.

So that was the second skit about which I am going to talk.

Skit 3: Lesbian or Demure Trans and Gay Woman

There was another skit at the same church a few weeks later. It was a woman … or perhaps a demure trans person … who was ushering people into the parking lot … dressed with exposure of the legs … ignoring the dress code of the church. The usher was a middle-aged, Caucasian woman, very alluring and very demure.

About that usher, I thought that there may have been an intention to attract me, in a gay-woman way, as a way of ushering me into a world where genders are reversed. In other words, it may have been an attempt to usher me into a different archetype for the trans world.

We have the nanny, we have the nun, and it may be that Skit 3 was an attempt to state that there is another possibility … that of the ‘gay woman’.

The problem is, I am not these things. I am the ‘straight woman’ at the church. I am the ‘Lightworker’ online.

I am not a gay woman. So I do not fit in, you see? I do not fit into that milieu at all. You might even say that I am in a different timeline and dimension from the trans world. It is completely different from my world. In that way there would be a lot less friction … a lot less commotion … if it were to be considered that I live in a different sort of reality.

Skit 4: Trans, Makeup Artist, and Lapdog

I will give you another example: Some while ago there was an incredible skit as I exited the door of my local Canoga Avenue post office. This skit used completely different people but somewhat similar roles.

There was a trans person who was portrayed as being of a race different from those of the trans persons in Skits 1 and 2. The trans person seemed to me to be a Caucasion person portrayed with blackface as being an African American. The trans was very alluring, very good-looking, and dressed in an outrageous fashion that was bound attract attention.

The trans was walking towards me … towards the door of the post office … carrying two baby carriages behind. One of them had a lapdog in it.

Image: “Lapdog,” adapted from Image by Leia Ohana from Pixabay – Pixabay Content License

Image: “Lapdog,” adapted from Image by Leia Ohana from Pixabay – Pixabay Content License

. . . . .

I am not too sure of the role of the lapdog. I had an idea that a woman might have that role with the trans person … might have the role of ‘pleasing their lap’, if you get me … might be considered ‘a dog’, for being not very pretty, compared to the trans person … might be just the ‘lapdog’ in the baby carriage that he carries along behind him.

On the other hand, the lapdog might symbolize a role of the trans or gay man as a ‘lapdog’ who offers cunnilingus to an older woman, then steals her money and then deserts her. The notion that the I might be the lapdog might be thought of as a substitution or switching of the trans ‘lapdog’ role onto my person.

Standing beside the trans was the makeup artist … a young, good-looking Caucasian man, but different from the makeup artist in Skit 1, who at a quick glance had seemed to me to be a famous actor, or someone resembling him. This second makeup artist was standing there, waiting for the play to unfold.

There was no nanny.

The feeling I got at that time was that my life was in mortal peril, so I exited right away. I would like to explain about that.

The trans was made up as an African American homeless woman. I think the producers of the skit thought … because of a photograph that had been in my blog of an African American babysitter I had as a child … that I would take a cotton to the trans, as if the trans were my nanny or babysitter, and that I would be attracted to the trans and would want to talk to them.

I thought they thought I was like their mother or mother substitute, and that they held great rage against their mother … which rage they were transferring to me and thinking that I held great rage to them … and that this mixup about the rage would result in an outburst of rage against me that might involve physical violence.

On Being Stalked

I say that partly because for many years prior to that, the same trans person … in various guises … had been stalking me wherever I went … stalking and stalking.

From online, the prognosis for stalking is not so good. A lot of women lose their lives because of stalkers. The police department does not seem to be very helpful in that. It is up to us women to think of a way to get free of these stalkers and to keep safe.

Stalking I think has to do with control … the need to control other people. There is quite a bit online about controlling behavior, and getting away from it, and trying to find a social circle that talks and reaches compromises, rather than attempting to control or manipulate other people.

If for instance a person is trans but under cover, and you as a straight person meet this trans person, and then they get the notion that you are in on the secret, it is possible that … in order to keep the secret of their trans activities … they might stalk in trans guise (so as to avoid detection) … and that they might feel such a strong need to protect themselves that they might stalk and murder.

There is a very strong need to keep trans activities secret, in many cases … because such activities are not socially acceptable. The trans person in these cases about which I am talking was very deeply ‘under cover’ because the makeup and the disguise made it very difficult to figure out who they really were.

Every time I saw that person stalking me I got the feeling of being in mortal peril. There must have been a load of violent negative emotion behind the makeup.

Now it is not socially acceptable to say this. And I agree with society in general that there are many trans people who do not have this drawback of being dangerous.

But in my case … because of the stalking … because of the skits by many different people of many different  races … I feel there has been a lot of money put into this performance art with regard to me. And I am not sure why.

I know that there is Soul wounding. I know that there is a ‘hangup’. I wish I could be of more help to those of you who are experiencing this.

I think there is a sub-segment of trans that are extremely dangerous people.

Maybe you will have ideas about this topic. I would welcome those ideas.

I hope that the trans people that may have been involved in this … if you reply, please do your best to be polite, and to observe the decorum of this blog, because very impolite, very out- there comments are deleted for the sake of my other readers.

I ask that you be forthright and honest about your feelings, and about what you think these symbols mean,

  • What does ‘trans’ really mean?
  • Why is it necessary for you to be the only woman, for instance?
  • Why do you have to be the very best woman and shove all the other women out?
  • Why can I not have a life?
  • Why can I not have a male friend?
  • What does this mean to you?
  • Why is it so important?

I cannot figure it out. There are so many people in the world! You could have your own social circle, in which you are greatly admired.

You are the star of the show. You are the star of the nightclub! Everyone wants you!

You do not need to keep coming around me. Why me?

You can find a nanny that really loves you, no matter what. I am not that person; I say it like I see it.

I see something really wrong. Something is really wrong. If for 24 years you have been stuck on stalking me, there is something really wrong! You know?

Just get on with it. Go on with your life. Be with your own circle of admirers.

You do not need to do anything at all with regard to me, do you not think that? It must be very expensive. Why do this? Just do not do it anymore.

I ask you: Why stalk? Why not let it go?

Even if … say … you are obsessive compulsive, you can easily switch that obsession and that compulsion to another object … or maybe all day long switch … switch … switch … so that people are not so greatly affected by the stuckness of that obsession.

Then as far as the makeup artists is concerned, I do not relate to that. I do my own makeup. I think the makeup artists are doing a wonderful job with you. I am glad that you have a makeup artist.

As far as the nun is concerned: I think that you should leave clerical orders to the people that earn them, and not pretend to be a nun, or a monsignor, or a pastor. Just let those people be,

You are talking more about the profane than the sacred, I feel. You feel that hatred is a form of loving relationship, I feel. But it is not. When you really enjoy the presence of another person, that is a good relationship. That is a relationship that is full of Light.

When you go to a place in order to create Darkness, as has seemed to be the case … as if you intend ‘dumping on me’ in all these places … that is not love; that is hatred.

There is a very great difference between love and hatred. One is Light … good for Lightworkers. One is Dark … not good for Lightworkers; not good for anyone.

Please keep in mind that I am really a Lightworker … posing as a regular, conservative straight woman, but not, in my heart, like that. I am a Lightworker.

I am posing as a conservative straight woman. You are posing as a very alluring, very attractive, show-stealing sexual woman. We do not need to conflict over this, because my true role in life is Lightworker.

I do not think I am getting anywhere with this … except to say that the roles you create all around you, and show to me … they have nothing at all to do with me.

It is not my purpose in being on Earth to relate to the trans, to the nanny, to the makeup artist, or to the fake nun. It is just not my role; you see? It is like you are trying to fit a round peg into a square hole.

I get that you might want to kill me because I do not fit your world view. But you can just say:…

Activation of Light to Optimize Timelines and Dimensions
Channeled by the Hathors through Alice B. Clagett
10 October 2013

Spirit to Team!
Optimize Timelines and Dimensions!
For the All, Through Free Will!

… and you will find yourself in a world where I do not exist. That is definite! If you optimize your timeline sand dimensions you will find me … the millstone around your neck; the obstacle you have to eliminate at all costs … gone from your universe forever! You do not have to be subject to cause and effect.

Just because you were born of a mother, does not mean that you have to carry a mother … like a millstone around your neck … for the rest of your life. I do not have to be that person. And I am not that person; I am a Lightworker.

. . . . .

I hope this helps, but I have a feeling I am not on pointe because I am not in that world and I do not know what is going on.

God bless you all,
And keep you safe,
And be with you
Through all your days.

In love, light and joy
This is Alice B. Clagett.
I Am of the Stars … and so are you!

Filmed and published on 18 January 2024; revised on 19 January 2024.

VIDEO CREDITS

“Why Do Trans Stalk?
by Alice B. Clagett
Filmed on 18 January 2024
Location: San Fernando Valley, CA

Produced by Shoes
on 18 January 2024
CC BY-SA 4.0 International

IMAGE CREDITS

Image: “Trans,” adapted from Image by Jim Cooper from Pixabay – Pixabay Content License

Image: “Nanny,” adapted from Image by Sibeal Artworks from Pixabay – Pixabay Content License

Image: “Makeup Artist,” adapted from Image: “man-5996080_640″ by Makc from Pixabay — Pixabay content license

Image: “Nun,” adapted from Image: “The Virgin in Prayer,” by Giovanni Battista Salvi da Sassoferrato, between 1640 and 1650, in Wikimedia Commons … https://commons. wikimedia.org/wiki/File:Sassoferrato_-_Jungfrun_i_b%C3%B6n.jpg … public domain

Image: “Straight Woman,” self-portrait by Alice B. Clagett, 18 January 2024, CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..

Image: “Lightworker,”  self-portrait by Alice B. Clagett, 4 January 2021, CC BY-SA 4.0
International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..

MUSICAL CREDITS

Music by Music_Unlimited from Pixabay
“Dreamy Ambient Background Music” — Pixabay License

…………..

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License (CC BY-SA 4.0). Attribution: By Alice B. Clagett.
More license information
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…………………………………………………….

trans, transgender, transvestite, heterosexual, misogyny, stalking, murder, sacred sexuality, divine feminine, divine masculine, alpha female, Soul wounding, crime prevention, obsessive-compulsive disorder, psychology, acting out, Alice’s perilous tales, skits and storylines,

Alice’s Perilous Tales – Pragmatic Prophet: Rage Expressed as Performance Art . by Alice B. Clagett

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Alice's Perilous Tales - Pragmatic Prophet: Rage Expressed as Performance Art

Image: “Self-Portrait,” by Alice B. Clagett, 23 December 2023, CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..

Image: “Self-Portrait,” by Alice B. Clagett, 23 December 2023, CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..

  • INTRODUCTION
  • VIDEO BY ALICE
  • SUMMARY OF THE VIDEO
  • VIDEO CREDITS
  • MUSICAL CREDITS

INTRODUCTION

Dear Ones,

This is an attempt to facilitate a clearing process for some rather sensationalistic ‘acting out’ experiences that have been happening.

There is a Summary after the video …

VIDEO BY ALICE

SUMMARY OF THE VIDEO

Hello, Dear Ones, It’s Alice. I Am of the Stars.

A very happy holiday season to everyone. I am going to attempt, now that we are at the beginning of the New Year, to facilitate a clearing process for a knot of energy that has been coming up lately. It is rather sensationalistic ‘acting out’ experiences that have been happening.

There have been two skits performed in my presence … one a few years ago, on the grounds of a Christian religious retreat center. I was the only person to observe the performance, so at the time I thought it might have to do with me.

I was there for a get-together to discuss sacred scripture. I was the first person to arrive. In the seat that I usually sat in at that outdoor place was sitting a trans person in a very sexual outfit … with zebra-patterned spandex tights and stiletto high heels and so forth ,… very sexual in demeanor.

Next to the trans person was what I have come to term a ‘chaperone’ … which was an older woman, much shorter … maybe a foot and a half or more shorter than the trans person. The chaperone was sitting there very meekly. She was a very fragile-looking person who apparently was the person to protect the trans person from being raped, I am guessing?

Leaving, off on the side, was what seemed to be a movie personality who may have been putting together the skit. So there were three people.

The trans person got up from the seat and sauntered past me, in the direction of the director. The trans person’s chaperone accompanied her.

The feeling that I got was one of extreme physical danger to me … a feeling of hatred welling up and exuding outward towards me, as if physical attack were planned for me.

That was some years ago. I would not bring it up to you again now if it were not for the fact that the same tableau has come up again. It was only a while ago … maybe a month ago. I was going from the parking lot of a church, across the grounds of the church, and towards the church. I noticed a trans person.

It was right before the service. It was very evident the trans person was there because their garb stood out so much. They were wearing hip boots with heels, but not stiletto heels … more like comfortable, walking heels.

They were wearing a tube dress that ended just at the bottom of their torso, so it exposed a length of leg from the bottom of their torso to the beginning of the hip boot. And so the look was very sexual … very unusual. It attracted attention.

Then I went into the church, past the people, and I sat down. As the people filed in, this trans person sat down directly in front of me, near the back of the church.

Next to this trans person was sitting another chaperone …. it was another very short, meek-looking, very fragile-looking older woman … more like a grandmother … who was, I think, in the role once more of a chaperone.

But there was one more figure. It was once more a tableau of three. Standing against the wall, right next to me, was a nun in the type of habit that used to be worn when I was in grade school.

So there were three people: The trans person, the chaperone, and the guarding nun.

You could say I was targeted by the Dark. I am beginning to get  the feeling that I was targeted by some person who is putting together skits or performances, and has something that they want to tell me. But the question is: What is that thing that they want to tell me? … because they were not using words. No words were conveyed.

In this second instance, as the trans person got up at the end of the service to leave, I saw the trans person direct a slanting look at me that was also full of hatred … full of the desire to injure. And I felt that I had to be ready, on the spur of the moment, to protect my physical body from harm.

Fortunately nothing happened. It was just a look, as in the prior skit. But yet there was this heightened feeling of physical danger directly before me.

In my case, because I am a martial artist, it concerned me because in the pews, the way that people sit in the church, they are within the ‘ma’. They are too close together to be a safe distance between two physical combatants … two people who are engaged in combat.

The trans person had longer arms than I, and so therefore the danger was my own. With a punch, that person could reach me, and I could not reach them. Do you understand? It is called ‘invasion of ma’ in the martial arts. ‘Ma’ is the distance that is safe; it is about a yard apart. For people who are very good martial artists, the ‘ma’ is about five feet apart.

So anyway, I have to piece together the situation. Someone told me, on the psychic plane, that it is a way of expressing something that does not involve speaking to the person to whom the message is intended to be conveyed.

It could be a way of trying to resolve issues. For instance, it might be classed with creative writing, or with writing of poetry, or with drawing or painting pictures, or telling stories, as one of the ways that people use to resolve ongoing issues in their lives.

It could be these people who have been doing these skits are performing them for me on behalf of someone else who has an issue that he or she is trying to resolve. And so I am going to give it my best effort here.

I feel that there are issues around gender identification that have to do with fear of the opposite sex … fear of intimacy with the opposite sex … and concerns about competition … male-male competition, female-female competition, male-female competition, and female-male competition.

I am going to try to explain how this feels symbolically to me as a woman. It feels to me that each of the people who play the trans role in both of these skits has a feeling of deep hatred towards women.

From this I would derive that the person who put together the plays is intending to convey that he or she has a deep hatred of women.

And also I would say … because of the number of people set against me (or so it seems) in both of these skits … the woman (I, for instance) must be conceived of as incredibly powerful … as if two or three people are needed to prevent harm to the trans person.

So what I am getting is that the originator of the skits must feel hatred of women, and also fear of women, with the notion that they have great power … that they are capable of great power and that they need to be subdued by a number of people acting together.

So that is one thing. Then I have the chaperone. In both instances I have the chaperone. The chaperone seems to me to represent the disrespect that the originator of the skits has towards women … that he or she conceives the role he or she has with regard to women to be to relate to them as feeble, small, physically ineffectual people who could easily be conquered and killed. That is what I get … that in each instance, the trans person has so much hatred of women that he could easily injure or kill the chaperone who is there in some kind of socially acceptable role … perhaps as a spoof … perhaps to prevent the men in the congregation from raping the trans person, or to prevent me from approaching the trans person, who may be perceived as being infinitely desirable?

I do not know how I am doing with this! I am just coming up with this on the fly. You will have to forgive me.

So then in the second instance, we have the nun standing in the aisle, ready to reprimand me. First of all, I would like to make it clear that it is easy to buy these types of religious regalia online. And so it is possible, I think, that spoofs are being performed with religious regalia purchased online … maybe being performed by people in the movie industry … and that the intention might be to persuade the pastors at churches that the religious authority … the religious establishment. .. is behind the performances that are being given.

In other words, it could be that there is ‘false authority’ there, inspired by religious regalia that are purchased, and not actually condoned by the religious in question.

So this is the question: Was the nun really a nun, or was this habit purchased online? I cannot answer the question!

Let’s say that a nun was persuaded to be there, under the pretext that … say …  I am a very dangerous person, and that the trans person … who was born a man, and who might have fighting ability, for all I know, and who seems to hate me, might have displaced or substituted me as the person who does the hating … and that the nun may have become convinced of this … and that she was standing there to preserve decorum in case I should have a verbal outburst with regard to the trans person?

If I walked into that church with that person’s clothes on, what would happen? If I tried to walk up and get communion in a Christian church in that outfit? I am just asking: Could I get communion?

So what are the rules to do with men and women regarding this? Is trans so popular that they can get away with anything? And I cannot, right? Why is this?

Who really needs protecting in this situation? The women need protecting, I feel. There is a great deal of hatred there.

Now let’s suppose that the woman who is in the religious regalia is actually just an actress. The cameras are rolling for the religious service. She is there to prevent me from injuring this person. And then if I put up a fuss … which would be far from anything I would ever do … then she would restrain me; and they would have some skit that they would be performing under the circumstances.

So let’s see: We have got the trans person, the physical danger to me, the physical danger to the chaperone. Then we have, in the second instance, the purported nun. We do not know if this is true or not true. The cameras are rolling for the church service. So it could be an intention to embarrass me in public.

But nothing happened.

If it is just an actor, it could be an intent to deceive me into thinking that the church is behind this performance … that there is true authority there. If the authority is needed in order to put on this performance, it must be considered that I am a very dangerous person, as a woman.

Something is up there.

We have an issue right now, with regard to hatred of women. How can I explain it?

In this stage production, two women and a trans person are set against one woman … me. That setting of the two women against another woman is a way of expressing female-female competition. It divides the ranks of women so that the trans person can attack the one woman and prevent the one woman from getting solidarity or support from other women. That is one thing.

The trans person is also intruding on the male-female prospects of the women in the congregation, because trans people also look for the romantic intention of male members of the congregation. So the trans person is also in competition with the female members of the congregation, in a female- female competition way.

A trans person who is involved in a sexual encounter with a man who is not trans … if the trans person behaves in the encounter in a receptive manner (as if he were female), he is, I feel, expressing a desire not to be hated by men … not to be competing with men. In other words, he is expressing a fear of the competitiveness of men, and a desire to have men love him.

I find there are MSM (men who have sex with men) relationships in which men bond. And there are also MSM encounters in which there is no bonding. And these chance encounters … these very quick encounters … are the trouble that comes up in social relationships.

That is because there is a disease called HIV that is being transmitted when there are lots of partners … many, many partners … maybe as many as 500 partners over the course of a number of years, when a person, whether trans or simply what is called ‘queer’ these days, is ‘on the circuit’ and very sexually active. And so, HIV is transmitted by one person to 500 people, let’s say.

Now suppose this is in a church situation. Let’s say, in the trans situation, that the trans person is infecting the men in the congregation with HIV.

Let’s say these men have wives. And the men infect their wives with HIV. And the women have children.

Infants to whom HIV is passed on by the mother, as I understand it, only live a year or two.

Now considering the scenario where gay men … or trans people … are passing on HIV to the entire congregation … I think it would take about 10 years for the entire sexually active congregation to be infected.

What will happen then is there will be no more children in the congregation … no viable offspring.

So we have to look at this as a symbol of what is going down in society as a whole. Unless there is a vaccine that prevents HIV from being fatal to newborns, then in the course of the next generation there will be a dramatic reduction in the number of viable births on Earth. The human population of the planet will greatly decline.

This will be good for Earth. I am sure it will not be the end of life on Earth for humankind. But I think that the numbers of human beings will create a more sustainable planet after that. We have that to look forward to.

We also have a need to help quell vigilante efforts and violence on the part of those who  feel that certain persons are responsible for what is really going to be transpiring through God’s will … God’s will for Earth.

Getting back to this trans issue, I have my own concerns about it, because it is unfolding very slowly before me, through the will of someone who directs these actors, and who will not talk to me, and who apparently feels that the action of the actors is conveying a message that is patently clear.

I do not know what the message is, exactly. I can only speak to these various things that I feel, like …

  • the hatred of the actors. I do not know why they hate me. I do not know if it s me or a lot of different people;
  • the need of the trans person for support from women who will protect the trans person;
  • possibly the assuming of false authority roles … because it is hard for me to believe that a church would support such a performance on church grounds.

I might be wrong; it might be emanating directly from the authority of these churches. I do not know.

But if it is, then I feel it is through a misunderstanding regarding the need for women to be protected by men, and not physically assaulted by them, not raped by them, not treated disrespectfully by them, not verbally abused by men.

None of these are roles for men with regard to women in a Christian church. I think that is clear. It ought to be clear.

We are clearing through this Atlantean knot during Winter Solstice, and during the holiday season. With the coming of the New Year we are coming into a melding of the highest energies of men and women, so that in New Life on New Earth men and women can support each other, and create for Earth the vision of Christ consciousness.

We cannot do this by putting each other down, and warring with each other, and competing with each other. We have to achieve a mutual respect. What children we may produce who can survive early childhood we have to nurture and protect from that virus. We have to do our best.

I feel there will be children who are resistant to the virus. And if there are not, then there will be pockets of life on Earth where the virus never touches. There will be a New Age.

So, that is what I am thinking. Psychologists will probably read this and think: Aw, she is oversensitive. Or: She thinks this; she thinks that.

What can I say? That is what I think. That is what I feel..

And you know, if somebody comes up with a silent skit in front of you, I do not really know what to say, because it could be the intent is deadly. It seems like that to me.

This is not the only time that very odd skits have been performed in front of me. There are actors here … there are people here who are not good with words.

I think first of all, preserve your physical safety. That is the very first thing.

And if there is a setting in which physical violence can be restrained, and you can speak to these people and find out what is going on, why then, so much the better!

If not, then this video may stimulate discussion on the topic, because the topic is ever so weird.

I will add one or two more things, just so that you can get a notion of the scope of the situation.

I remember a few years ago I was in Malibu Creek State Park. Standing in front of me, facing away, were a number of people dressed in Franciscan habits. I got a feeling just then that I was in danger and that this was an acting troupe.

I went online and looked up their particular outfits. It turned out they were available for sale online.

There is no way of knowing whether this was true authority of the Christian church standing in front of me … or just actors. The more so because, across the road at the National Park Headquarters at King Gillette Ranch, there are a lot of acting troupes and movie operations going on. That lends credence to the notion that it may have been an acting troupe.

Here is another instance: A few years ago I was walking out of my local Post Office. In front of me was a young man, maybe six feet tall, or nearly so, and approaching was a trans person, maybe 5 feet seven inches, and who had on black makeup to make that person look African American.

He was carrying behind him two old-fashioned baby carriages on a train of rope or chain. In one of those was a lap dog.

This trans person was dressed in kind of a garish outfit, a pants dress, and was wearing on their buttocks what looked like large-sized potato salad containers, taped on.

I was afraid to stay They were obstructing my path, and I was afraid to stay and talk, because the situation was so outlandish to me that I could not figure any good would come of it.

That is generally my reaction to these acting skits that keep unfolding in front of me. It seems like there is a madman behind it, you know?

Maybe there is something cogent there. But it seems to me as if Soul wounding is unfolding in front of me … Soul wounding of a nature too dark and deep for me to fathom. I do not know what to say.

Usually I do the Buddhist prayer, which is God’s blessing upon all beings. Happiness to all beings. May they all have a roof over their heads. May they all have plenty to eat … That kind of thing.

That takes it out of the personal realm, and into the Infinite. God’s will, not my will. May God figure out what this is about, because it is completely beyond me.

That is all for now.

God bless you all,
And keep you safe,
And be with you
Through all your days.

And may this New Year bring forth for you all the wonders of God’s creation; all of your Ascension gifts; all of your Ascension abilities; and a chance to be the Light for all humankind.

In love, light and joy
This is Alice B. Clagett.
I Am of the Stars … and so are you!

Filmed and published on 23 December 2023; revised on 6 July 2025

VIDEO CREDITS

“Pragmatic Prophet: Rage Expressed as Performance Art”
by Alice B. Clagett
Filmed on 23 December 2023
Location: San Fernando Valley, CA

Produced by Shoes on 23 December 2023
CC BY-SA 4.0 International

MUSICAL CREDITS

Music by Alexander Nakarada from Pixabay
“Moon” – Pixabay License

…………..

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License (CC BY-SA 4.0). Attribution: By Alice B. Clagett.
More license information
…………………………………………………….
…………………………………………………….

Pragmatic Prophecy, Christianity, transgender, crossdressing, transvestite, misogyny, female competition, male competition, HIV, AIDS, acting out, Soul wounding, Soul clearing, prophecies, almanac, 2024 New Year, Alice’s perilous tales,

Alice’s Perilous Tales: More Trans Than Trans . by Alice B. Clagett

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Alice's Perilous Tales: More Trans Than Trans

Image: “Mayan Princess 1a,” self-portrait by Alice B. Clagett, 14 December 2023, CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..

Image: “Mayan Princess 1a,” self-portrait by Alice B. Clagett, 14 December 2023, CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..

. . . . .

  • INTRODUCTION
  • VIDEO BY ALICE
  • SUMMARY OF THE VIDEO
  • VIDEO CREDITS
  • MUSICAL CREDITS

INTRODUCTION

Dear Ones,

Here are my thoughts on us ladies trying for a look that is ‘more trans than trans’ at church so as to get our share of the marriage market.

There is a Summary after the video.

VIDEO BY ALICE

SUMMARY OF THE VIDEO

Hello, Dear Ones,

It’s Alice. I Am of the Stars.

I am wearing my Mayan Princess outfit today. I hope you like it ok.

I was on my way to church on the weekend. When I went to get into the parking lot, there was a young lady standing there to usher the cars into the parking lot. I was very surprised.

She had on an outfit that was very eye-catching. She was wearing those stiletto heels, and sheer black pantyhose with decorations on it, and a car coat … and as far as person could tell, that might be all she was wearing.

As I entered the parking lot I began to wonder if maybe she was one of the trans people I have been seeing over that way, at the service, from time to time.

And then I thought to myself: No, this is a person born as a female and dressed very nicely for the holidays.

And that got me to thinking. It has taken a few days. I am thinking that that trans look is so very enticing … It is all the rage, these days. Truly it is.

And it is difficult for a woman to keep up with that, and to attract any attention whatsoever. I am thinking that this trans lady in the parking lot might have had the right idea: To get a kind of a trans look that will attract the attention of the gentleman, and perhaps win her a spouse or a life-long friend.

In that way she can compete some. You know? So we may be seeing more of that in the coming year, I feel … women naturally born as women, and who become ‘more trans than trans’ so that they can get their fair market share of what is out there in terms of spouses.

That is what I think. This is the Pragmatic Prophet in me speaking about that thing.

I just have a caveat for the ‘more trans than trans’ ladies … It is possible that trans men in the congregations are meeting with men in the church bathrooms for sex after church services. This may be a factor in their popularity – They may be ‘easy’, and it may be easy for them to get into the men’s rooms. They don’t get pregnant either.

I know it sounds ‘beyond beyond’, but I feel it is possible this may be happening in our churches today.

When we ladies who were born as women attempt to compete at church with trans men, I feel it is important we not emulate ‘easy’ trans behavior (if, in fact, this is occurring). The chance that we might get pregnant is one reason why. Our reputation as good women is another.

I am speaking to the young ladies in the congregation … as, of course, I am past marrying age myself. It does not really apply to me. It is just aa trend I am observing. I am offering you a heads up.

We need to stand our ground. We need to be right there in the competition, I feel. We need to be ‘more trans than trans’. If we are in the market for a man.

God bless you all,
And keep you safe,
And be with you
Through all your days.

In love, light and joy
This is Alice B. Clagett.
I Am of the Stars … and so are you!

Filmed and published on 14 December 2023; revised on 6 July 2025

VIDEO CREDITS

“More Trans Than Trans”
by Alice B. Clagett
Filmed on 14 December 2023
Location: San Fernando Valley, CA

Produced by Shoes on 14 December 2023
CC BY-SA 4.0 International

Image: “Mayan Princess 2,” self-portrait by Alice B. Clagett, 14 December 2023, CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..

Image: “Mayan Princess 2,” self-portrait by Alice B. Clagett, 14 December 2023, CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..

Image: “Mayan Princess 3,” self-portrait by Alice B. Clagett, 14 December 2023, CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..

Image: “Mayan Princess 2,” self-portrait by Alice B. Clagett, 14 December 2023, CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..

MUSICAL CREDITS

Music by Alexander Nakarada from Pixabay
“Moon” – Pixabay License

…………..

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License (CC BY-SA 4.0). Attribution: By Alice B. Clagett.
More license information
…………………………………………………….
…………………………………………………….

cross-dressing, transgender, transvestite, sacred sexuality, Divine Feminine, Christianity, competition, Alice’s perilous tales,

The Great Enigma: Transvestites and Murder . by Alice B. Clagett

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The Great Enigma: Transvestites and Murder

Image: “Portrait of a young girl with a mask,” by Jean-Francois Portaels, 1886, in Wikimedia Commons … https://commons.wikimedia.org/wiki/File:Jean-Fran%C3%A7ois_Portaels_-_Portrait_of_a_young_girl_with_a_mask.jpg … public domain

Image: “Portrait of a young girl with a mask,” by Jean-Francois Portaels, 1886, in Wikimedia Commons … https://commons.wikimedia.org/wiki/File:Jean-Fran%C3%A7ois_Portaels_-_Portrait_of_a_young_girl_with_a_mask.jpg … public domain

  • INTRODUCTION
  • VIDEO BY ALICE
  • SUMMARY OF THE VIDEO

INTRODUCTION

Dear Ones,

This video has to do with violence and crossdressing (that is to say, the topic of transvestites.) There is a perhaps greatly edited Summary after the video.

VIDEO BY ALICE

SUMMARY OF THE VIDEO

Dear Ones, I am happy to be with you here today.

As you may know, there are a great many murders of transvestites and of transgender women. The popular view is one of shock and finger pointing. That view I feel to be in line with public sentiment against gender preference bullying. In other words, it seems to me that popular sentiment has finally turned to a liberal approach towards gender preference, and that, by extension, people have a liberal point of view towards cross-dressing.

And then there is my intuition that, in some cases, transvestites carry a burden of hidden rage that might, in a moment in which I am unwary, leap out and strike me.

To be blunt, in some instances when I am in the presence of a transvestite, I fear for my life. In that context, because I have learned to trust my intuition so as to avoid danger here in Los Angeles, it feels to me that popular sentiment is the maudlin expression of the innocence of lambs before the slaughter.

Amongst transvestites I sometimes sense great cunning, and intent to slay. Then there are transvestites who are like those on television … well meaning people who prefer a gender not expressed at birth. Why the variance?

Could it be there are those masquerading as transvestites as a disguise for serial killing, for instance? If that were so, then surely I would feel threatened when in their physical presence. Yet in the presence of other transvestites I feel at ease.

How to reconcile these: The concern of our society for needless slaughter of transvestites, and this intuition that I have regarding hidden rage in some cases?

I went to law enforcement on this. Law enforcement opined that the folks from whom I was fleeing would prey upon each other, and in that way eliminate the threat to me without the law having to involve itself with my protection.

A transvestite attended my church on Palm Sunday (that would be the day before yesterday), and the person sat in the pew in front of me. I had a concern for my physical safety, so I left very quickly after the service. And that set me to thinking.

Last night, in the wee small hours, it occurred to me that the murders of transvestites reported online might to some extent have to do with competition within their ranks. Could it be that there are cunning murderers posing as transvestites who are turning on and murdering each other, as law enforcement had suggested?

Yet if this were so, and if that subset were to be very cunning, how might they succeed in murdering each other if they have not quite a bit of practice murdering ‘lambs’ … innocent people like me and you?

There are, after all, in this physical world, both lambs like us and wolves in sheep’s clothing, are there not? In which case, we ought to do our best to guard our perimeters and to live a safe and happy life.

God bless you all,
And keep you safe,
And be with you
Through all your days.

In love, light and joy
This is Alice B. Clagett.
I Am of the Stars … and so are you!

“The Great Enigma: Transvestites and Murder”
by Alice B. Clagett
Written and produced on 4 April 2023
CC BY-SA 4.0 International

CREDITS FOR VIDEO
Music by Nesrality from Pixabay … “British
Folksong -Searching for Lambs,” by Nesrality, Pixabay License

Narrator’s voice by Amazon Polly

Image: “Portrait of a young girl with a mask,” by Jean-Francois Portaels, 1886,
in Wikimedia Commons … https://commons.wikimedia.org/wiki/File:Jean-Fran%C3%A7ois_Portaels_-_Portrait_of_a_young_girl_with_a_mask.jpg … public domain

. . . . .

 

MUSICAL CREDITS: Music by Nesrality from Pixabay … “British Folksong -Searching for Lambs,” by Nesrality, Pixabay License

Written and published on 4 April 2023
This blog has been added here … Link: “Hold a Candle,” a poem by Alice B. Clagett, written on 5 May 2019; published on 31 May 2019; 4 April 2023 … https://wp.me/p2Rkym-cVB ..

NOTE: “Searching for Lambs” is an old English folksong about young love.

Image: “Buffalo Hide Robe,” anonymous, early 19th century, in Wikimedia Commons … https://commons.wikimedia.org/wiki/File:Buffalo_hide_robe,_early_19th_century,_Reading_Public_Museum,_detail_I.jpg … public domain … COMMENTS: This is a pun about the verb ‘to buffalo’ and the verb ‘to hide’ and on the verb ‘to robe’, as opposed to the verb ‘to disrobe’. –Alice B. Clagett

Image: “Buffalo Hide Robe,” anonymous, early 19th century, in Wikimedia Commons … https://commons.wikimedia.org/wiki/File:Buffalo_hide_robe,_early_19th_century,_Reading_Public_Museum,_detail_I.jpg … public domain …

COMMENTS: This is a pun about the verb ‘to buffalo’ and the verb ‘to hide’ and on the verb ‘to robe’, as opposed to the verb ‘to disrobe’. –Alice B. Clagett

…………..

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License (CC BY-SA 4.0). Attribution: By Alice B. Clagett.
More license information
…………………………………………………….
…………………………………………………….

transvestite, crossdressing, transgender, sexuality, law enforcement, social issues, serial killers,