Have you ever run into a Vampire? How did you get away from him? Do you have hints for my readers on how to steer clear of men who identify as Vampires … or Lust Murderers … or in modern parlance, as Gender: Slayers?
Image: “The Couple: The Impossibility to Make It [cropped],” from artist Leda Luss Luyken’s own files, 10 October 1996, in Wikimedia Commons … https://commons.wikimedia.org/wiki/File:The_Couple_1.JPG … CC BY-SA 3.0 Unported … COMMENTS: Note how the woman is ‘keeping an eye on’ the man. This artist, I feel, is putting the metaphor-filled symbolic language of the subconscious mind on canvas! Note how the blood stain on the man’s lips is shaped like a heart. Does the man have in mind to ‘eat the woman’s heart out’? Is he a ‘heart vampire’, who absorbs love from a woman without giving any in return? In a worst case scenario, might the man have in mind to eat the physical heart of the woman? Might he be a cannibal?! What does this image really mean? –Alice B. Clagett
Image: “The Couple: The Impossibility to Make It [cropped],” from artist Leda Luss Luyken’s own files, 10 October 1996, in Wikimedia Commons … https://commons.wikimedia.org/wiki/File:The_Couple_1.JPG … CC BY-SA 3.0 Unported … COMMENTS: Note how the woman is ‘keeping an eye on’ the man. This artist, I feel, is putting the metaphor-filled symbolic language of the subconscious mind on canvas! Note how the blood stain on the man’s lips is shaped like a heart. Does the man have in mind to ‘eat the woman’s heart out’? Is he a ‘heart vampire’, who absorbs love from a woman without giving any in return? In a worst case scenario, might the man have in mind to eat the physical heart of the woman? Might he be a cannibal?! What does this image really mean? –Alice B. Clagett
. . . . .
Dear Ones,
Alice the Amateur Psychologist says: This Vampire Waltz seems to me to show that men who murder women as a means of sexual satisfaction may view the world as a mime performance.
They may think of themselves and of society as two-faced, as may be seen by the black-and-white paint on the face of the master of ceremonies at timeframe 0:30 and following.
A Third Gender: Slayers!
It could be that Woman Slayers … lust murderers … think of themselves as “Gender: Slayers” – in other words, as being a ‘third gender’ that murders rather than as a person who chooses to engage in the traditional male / female sexual ritual.
Subconscious Metaphor: The Puppeteer
It may be as if the Woman Slayers are standing on a balcony observing other people who interact by means of stiff social gestures, without showing their true feelings. Woman Slayers may think of other people, both men and women, as puppets rather than living beings.
Spider Women
They may think of women as two-faced cruel ‘spider women’ who pretend to be friendly but are really antisocial, as is portrayed by the vignette of the limber woman wearing two masks at timeframe 0:40 and following.
Subconscious Metaphor: The Man on the Balcony – the Man Who Is ‘Above It All’
Just after that, at timeframe 0:50 and following is a vignette of two somber jesters who walk onto a balcony to observe what might be termed the stylized ‘social dance’ on the dance floor below them.
These two men might represent what woman-slaying men feel is their true selves – that they are rational men detached from the mime performance.
In this timeframe, socialized people … who participate in what Woman Slayers see as a stylized dance … are literally beneath the Woman Slayers (because they are standing on a balcony; this is a subconscious metaphor, meaning that they feel that socialized people are beneath them – below them – less worthy than them.
This metaphor appears again as the Vampire below grabs his red-dressed dance partner close, then lowers her beneath himself.
Then at timeframe 1:10 and following, the other man – the Vampire that merely observes the performance – is swinging on a trapeze far above the incipient sexual act. In other words, he is ‘above it all’.
Subconscious Metaphor: The Jester
Here is another take on timeframe 0:50and following, which is a vignette of two somber jesters. Why jesters? Could it be that Woman Slayers feel other people think of them as fools … and also that other people don’t take them for who they really are?
These men may have found that it is easy to make a jest about how they murder women, and that socialized people will think they are making a joke. They may have found that socialized people will just laugh and turn away, rather than putting on the handcuffs.
Why? Because socialized peoples’ minds are set in a mold that cannot admit of such outre behavior as that of the Woman Slayer.
The Vampirism Legend as a Metaphor for Lust Murder
At timeframe 2:10 and following the Vampire baring his teeth symbolizes his murder of the sexy woman as a means of satisfying his sexual urge. So there you have the Vampire Legend as a portrayal of Woman Slayers down through the ages.
It must be, then, that Woman Slayers have played at Gender: Slayer role in the warp and woof of the civilized world for about a thousand years now, since the legend originated in 1047 A.D.
Down through the centuries it must be that the Vampire legend came to be defined as Woman Slayer only, rather than as Slayer of both men and women. At least, so it seems from this interesting video review.
. . . . .
What do you think of this movie review? If you are not a Vampire, please feel free to comment.
In love, light and joy
This is Alice B. Clagett.
I Am of the Stars … and so are you!
Image: “Castration,” adapted from Image by Nanne Tiggelman from Pixabay, Pixabay License
Image: “Castration,” adapted from Image by Nanne Tiggelman from Pixabay, Pixabay License
To turn off the background music, click once or twice on the arrow on the audio bar at the bottom of the page …
INTRODUCTION
VIDEO BY ALICE
SUMMARY OF THE VIDEO
VIDEO CREDITS
INTRODUCTION
Dear Ones,
Here is a video with the short “Lizards Vie” and a Feature film “Dark Omen: A Man Castrated?”
An edited Summary follows the video.
VIDEO BY ALICE
VIDEO SUMMARY
Hello, Dear Ones, It’s Alice. I Am of the Stars.
I have a Dark Omen to relate to you today. I was heading back a little after lunchtime today, from a foray to Reseda to find athletic shoes. I was heading west towards the ocean on Victory Blvd. When I got almost to Canoga Avenue, near where the Bed, Bath and Beyond has recently closed down, I saw a man on the north side of the street running in a wide-stance stagger towards the sidewalk.
He had on thick dark clothes. He was clutching his groin area. The look on his face was one of absolute agony.
I had heard on the astral plane before that men are being castrated in Los Angeles now. This is the first physical evidence I have that this may be so.
For all you men who share public restrooms in Los Angeles, and for those who are homeless and may have to use the alleys as if they were restrooms, please be very careful to avoid this type of terrible damage to your energy field and to your manhood.
For those of you who are whole of mind, body and spirit, please say a prayer for those men who have been so damaged, if in fact this is manifesting in the reality of the City of the Mother of God who Walks with the Angels in Heaven these days.
May her energy be manifest here on Earth as well, here in the City of the Mother of God Walking Amongst the Angels.
God bless you all
And keep you safe
And be with you
Through all your days.
In love, light and joy
This is Alice B. Clagett.
I Am of the Stars … and so are you!
Filmed and published on 26 April 2024
This image has been added here: Link: “Tiny Anthologies: Image Markups 17,” by Alice B. Clagett, compiled and published on 21 December 2025 … https://wp.me/p2Rkym-Fzl ..
Image: “The Death and Assumption of the Virgin” (cropped), by Fra Angelico, circa 1432, in Wikimedia Commons … https://commons.wikimedia.org/wiki/File:The_Death_and_the_Assumption_of_the_Virgin_-_Fra_Angelico_-_Google_Cultural_Institute_-_detail_2.jpg … public domain … COMMENTS: For reasons to do with dogma … and some say, gender weighting … what might otherwise be termed the ‘Ascension’ of Christ’s mother Mary is termed her ‘Assumption’. The assumption being that there must have been a man in the works, when in fact, as the image depicts, it is the Angelic Realm that saw her through this process of transformation from the third dimension … physical form … to the fifth dimension, which the Lightworkers of today term a state of Christ consciousness. And how, for the mother of Christ, might this state of transformation be more aptly phrased? –Alice B. Clagett
Image: “The Death and Assumption of the Virgin” (cropped), by Fra Angelico, circa 1432, in Wikimedia Commons … https://commons.wikimedia.org/wiki/File:The_Death_and_the_Assumption_of_the_Virgin_-_Fra_Angelico_-_Google_Cultural_Institute_-_detail_2.jpg … public domain … COMMENTS: For reasons to do with dogma … and some say, gender weighting … what might otherwise be termed the ‘Ascension’ of Christ’s mother Mary is termed her ‘Assumption’. The assumption being that there must have been a man in the works, when in fact, as the image depicts, it is the Angelic Realm that saw her through this process of transformation from the third dimension … physical form … to the fifth dimension, which the Lightworkers of today term a state of Christ consciousness. And how, for the mother of Christ, might this state of transformation be more aptly phrased? –Alice B. Clagett
VIDEO CREDITS
Short: “Lizards Vie” Feature: “Dark Omen: A Man Castrated?” by Alice B. Clagett
Filmed and produced on 26 April 2024
Location: San Fernando Valley, Los Angeles, CA
CC BY-SA 4.0 International
Music by Alex Wit from Pixabay
“Soul Recovery” – Pixabay Content License
Image: “Twink at the Ice Palace on Fire Island,” by JoeInQueens from Queens, USA, 16 July 2011, in Wikimedia Commons … https://commons.wikimedia.org/wiki/File:Twink_%285966740631%29.jpg … CC BY 2.0 Generic … COMMENTS: The word ‘twink’ is gay slang to do with good-looking young men with little body hair.
Image: “Twink at the Ice Palace on Fire Island,” by JoeInQueens from Queens, USA, 16 July 2011, in Wikimedia Commons … https://commons.wikimedia.org/wiki/File:Twink_%285966740631%29.jpg … CC BY 2.0 Generic … COMMENTS: The word ‘twink’ is gay slang to do with good-looking young men with little body hair.
. . . . .
Dear Ones,
There have been three G-1 geostorm warnings in the last few days, and the astral airs are at it again. This time it has to do with savage treatment of tween sex workers, purportedly here in the San Fernando Valley.
The astral airs are often way so emotionally out there, so fasten your seat belts! Here is what is surfing around in the noosphere right now.
This has to do with ‘hebephilia‘ in a gay male context. Hebephilia, according to English Wikipedia, is a strong preference by adult males for pubescent or ‘tween’ children … children who are experiencing early adolescence.
Here are the astral nightmares that the geostorms have apparently stirred up …
Senior 80s men got hold of an eighth grade (ages 13 to 14) class roster. They are culling the list and promising the boys on the list $600 for sex work.
Calls to the boys are taking place at about 2 pm on Friday, Saturday, and Sunday afternoons, and the action occurs between then and sunset … during daylight hours … on the same day.
According to the astral airs … which I sincerely hope will prove unreliable … the seniors are teaming up in twos or threes to take advantage of the boys.
One is a woman who makes the calls to the tween boys. She selects boys with no strong father figure to protect them, or boys who have recently arrived in the community, so that their parents have not strong social connections here yet. She tells the boys they will get $600 for a sexual encounter with a man, and tells them the address where they should go.
One is a voyeur lookout and accomplice. He trespasses through a neighbor’s property, and opens a neighbor’s gate to let the tween boy through. He uses the neighbor’s gate without the neighbor’s permission. He does this so that the boys will not know where he himself lives, or who he is.
(1)The boy traverses this property to a property behind. There he meets another senior. This senior tries to knock him unconscious with a wooden bat or plank of wood. The boy escapes within an inch of his life, retraces his steps, finds the neighbor’s gate locked, scales the gate, and escapes.
(2)Here is another instance: Two tween boys approach the rendezvous on bicycles. There is no one there to open the gate. The voyeur sees the boys, but does not get out in time to open the neighbor’s gate. Disappointed (but alive!) they return home.
(3)Here is an awful third instance: A lone tween boy arrives for the rendezvous, is taken by trespass through the neighbor’s property to the place where the other boy got a knock on the head with a plank of wood.
Because the older man cannot attain an erection, he brutalizes the boy with a jagged piece of wood. He gives the boy not $600 but $60. The boy barely makes it back home before collapsing. In a few days he is running a fever and two weak to walk.
The Emergency Room finds that the foreign object used by his attacker has pierced his intestinal wall and also his peritoneum, allowing germs to invade his vital organs. The tween is at the door of death, but the hospital administers a massive dose of antibiotics, and after a few days manages to bring the infection under control.
With promise of life restored, the tween spends 5 weeks flat on his back waiting for intestinal intestinal incision to heal. For the next six months he is restricted to a liquid diet; this allows the stitches to heal completely. It is a year and a half before he can resume sexual activities.
(4)Here is a final ‘out there’ instance that I find very upsetting: A lone tween boy arrives for the rendezvous, is taken by trespass through the neighbor’s property to the place where the other boy got a knock on the head with a plank of wood.
This time the knock on the head works as planned. The boy is knocked unconscious, brutalized sexually, and then murdered and cannibalized. That is to say, the hebephiles cook and eat his body.
It is a mystery to me how this sort of behavior could for a long time be concealed. Is it at all possible that this is taking place? What would become of the body parts left over? Might they be buried in backyards in the Valley? Might they be placed in dumpsters, possibly commercial dumpsters in the shopping malls?
On the other hand, could it be that this is just way so gruesome a notion that law enforcement and our community simply avert their eyes and throw the notion into the trash heap of the denser energies of the noosphere?
In other words, is this just so gruesome that LAPD cannot believe it is happening … and so the law does not stop this from occurring again and again?
Let’s get to the bottom of this together! Is it geostorm stuff and nonsense? Or is it ‘acting out’ in a major way that may be spurred on by roiling of Earth’s atmosphere by Earth-directed CMEs?
In love, light and joy
This is Alice B. Clagett.
I Am of the Stars … and so are you!
Written and published on 23 March 2024
Music by daub_audio from Pixabay
“The Yosemite Horror” – Pixabay Content License
Skit 1: Tableau of Trans, Nanny, and Makeup Artist
Skit 2: Tableau of Trans, Nanny, and Nun
Skit 3: Lesbian or Demure Trans and Gay Woman
Skit 4: Trans, Makeup Artist, and Lapdog
On Being Stalked
Activation of Light to Optimize Timelines and Dimensions
VIDEO CREDITS
IMAGE CREDITS
MUSICAL CREDITS
INTRODUCTION
Dear Ones,
Here is a video on archetypal images of transvestites and transgender individuals. The question is posed: Why do some trans stalk women? Why am I being stalked?
There is an edited Summary after the video.
VIDEO BY ALICE
SUMMARY OF THE VIDEO
Hello, Dear Ones, It’s Alice. I Am of the Stars.
I am going to explain, as well as I may, in terms of archetypal symbols, the trans encounters I have been having for the last number of years. and the effect that they have had on me.
I think that these encounters have to do with someone that I know, but I do not know who that person is. Obviously that person knows who they are. I am hoping that these explanations may help.
It seems to me that the performance art that I have been watching … or in my own terms, ‘subject to’, over these years has to do with the stuckness of the Soul … of Soul wounding in someone. I cannot say who; maybe quite a few people in the Atlantean age.
Skit 1: Tableau of Trans, Nanny, and Makeup Artist
There have been skits. I will take one for starters. There was a skit featuring a trans person … that is a person who was born as a man and is now either dressed as a woman, or else changed as to gender, into a woman. And so the first person in the first skit was a trans person
I have come up with an image to show you. It says ‘trans’ on it. I could only come up with a photo of a woman. But the look and feel of the trans person that I saw was very like this …
Image: “Trans,” adapted from Image by Jim Cooper from Pixabay – Pixabay Content License
Image: “Trans,” adapted from Image by Jim Cooper from Pixabay – Pixabay Content License
. . . . .
… very super-feminine, very sexual, very well-made-up, very appealing to men, I feel. So I am using that ai-generated image for the trans personality.
And then in the first case … and in another case as well … there was a character that I call the ‘nanny’, or the ‘babysitter’, or the ‘mother substitute’. I have this image for that …
Image: “Nanny,” adapted from Image by Sibeal Artworks from Pixabay – Pixabay Content License
Image: “Nanny,” adapted from Image by Sibeal Artworks from Pixabay – Pixabay Content License
. . . . .
… the ‘nanny’; a much-older person born woman and posing as woman in the skit, and about a foot shorter than the trans person.
In the first skit there was another person. That was what I call the ‘makeup artist’.
Image: “Makeup Artist,” adapted from Image: “man-5996080_640,” by Makc from Pixabay — Iarisons2006, Pixabay content license
Image: “Makeup Artist,” adapted from Image: “man-5996080_640,” by Makc from Pixabay — Iarisons2006, Pixabay content license
. . . . .
He did not have a beard. It was a man born as a man, it seemed to me. And very handsome; very good looking … the ‘makeup artist’.
What happened was this: I was at a spiritual retreat center in Encino, California. I had been there many times before, in many circumstances. In fact, I was one of the co-facilitators of a meetup there. We met outdoors. The meetup was called “Rumi and Meditation.”
I was one of three co-facilitators. There was a particular spot where we all sat when we met once a month or so when I was around town.
I had the cart full of things that I needed for the meetup. I was trundling the cart along the sidewalk on my way to the normal meetup place. I saw, at the meetup place, sitting in what was usually my seat, this splendid trans person. Next to the trans person was the nanny, a person of much smaller stature.
As I walked up I saw … disappearing into the administration building of the retreat center … the makeup artist. Apparently he had just ‘made up’ the people for the performance art.
As I approached the trans person and the nanny, the trans person got up and splendidly walked or paraded past me, with the nanny just behind or nearby, and then went off in the direction of the makeup artist. All these actors were Caucasian.
The first thing I noticed is that the trans had taken my seat … had taken my role … had wanted, it seems, to be the star of my show.
Along that line there is a role that I play when I am in a social situation. That role is ‘straight woman’ …
Image: “Straight Woman,” self-portrait by Alice B. Clagett, 18 January 2024, , CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..
Image: “Straight Woman,” self-portrait by Alice B. Clagett, 18 January 2024, , CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..
. . . . .
I play the role of the ‘straight woman’; and I dress very conservatively in most circumstances. That is my role as the conservative straight woman.
This role is a pose so as to get along with other people because my true role, as I feel it, in the world right now is the role of ‘Lightworker’ …
Image: “Lightworker,” self-portrait by Alice B. Clagett, 4 January 2021, CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..
Image: “Lightworker,” self-portrait by Alice B. Clagett, 4 January 2021, CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..
. . . . .
I am a Lightworker. But nobody relates to that in the world at large, and in my sacred circles. They just do not recognize that role. So I pose as the older straight woman.
I was on my way to the meetup, and I was posing at that time as the older straight woman, very conservative.
There is this in addition: It seemed to me that the trans person thought of him/herself as extremely good-looking; and that any straight woman would be jealous of her and covetous of her beauty … and might also attack the trans sexually or attack her in rage … and that the nanny protected the trans from these types of attacks. That was what I got from that first encounter.
So: Trans, and the nanny, who is a type of woman who can get along with trans. And the makeup artist, who is important to the role of the trans as being very beautiful, as being very appealing to the men that the trans hopes to attract.
Why were they there at the spiritual retreat center? They wanted to make a statement to me. They knew I was there because Meetup publishes its meetings. They knew that I was one of the coordinators.
But why me? Well at first I thought it was just a mistake; maybe it was just a coincidence. But recently I was at a church service in Chatsworth, California; and the whole skit was performed once again. And the people involved sat down directly in front of me … in the pew in front of me.
So I began to get that this was a message specifically for me … a message from someone that I do not know, and that the message … without any words being spoken, conveys a significance to that person … a significance of which I am not aware.
I am trying to figure it out. This is a treasure hunt.
Skit 2: Tableau of Trans, Nanny, and Nun
Just before the service started the trans person came in. it was a very ravishing trans person, dressed very seductively, very alluringly. It was a different trans person … a different race. The trans was accompanied by a nanny of the same race as that of him/herself. In this case the trans and the nanny were oriental.
The nanny sat right beside the trans. And instead of the makeup artist, there was another performer standing in the aisle. That was a person that I call the ‘nun’. The nun was Caucasian, middle-aged, and slightly but not very plump. Now you see here the Madonna …
I could not find an image of a nun; but it was a nun in traditional habit who was standing against the wall and looking at me. The overall look of the nun was very like this image of the Madonna … very holy, very saintly, very sacred. So I am using an image of the Madonna to represent the nun.
So I was at church. I was dressed very conservatively as a straight woman … very quiet, very demure … and I was sitting behind them.
The first thing I got is that the dress code of the church was being violated by the trans person; not by the nanny, but by the trans person.
I also got that the nun standing against the wall was not really a nun; the nun was a performance artist, I thought. The nun was standing against the wall, between our two pews.
It seemed to me that the nun was there to reinforce the nanny as a protector of the trans person … as if the trans person felt that I held rage towards them, and that I would express it during the service.
My feeling about this is that it is likely that the trans person substituted me as the object of the rage that is within them. I will talk about that a little later on.
It seems to me that … because the trans person dresses so ravishingly at church, even though that is not the dress code of the church … it seems to me that the trans person finds it very important to be the only woman that is admired; the woman that outdoes all the other women in the church, and wins all the men.
In the trans person’s second skit there were two ways that women could be included in the trans world view; the first was the nanny, the protector, the one who is always loving, no matter what the trans does (just as in the first skit).
The second was nun; and this was new. I think, at the church it might have been a statement … this is just my guess … a statement that the role played by the trans at the church was sacred, and ought to be taken as a sacred thing rather than being laughed at, or sneered at, or scoffed … rather than me getting angry. It ought to be taken as a sacred thing.
So that was the second skit about which I am going to talk.
Skit 3: Lesbian or Demure Trans and Gay Woman
There was another skit at the same church a few weeks later. It was a woman … or perhaps a demure trans person … who was ushering people into the parking lot … dressed with exposure of the legs … ignoring the dress code of the church. The usher was a middle-aged, Caucasian woman, very alluring and very demure.
About that usher, I thought that there may have been an intention to attract me, in a gay-woman way, as a way of ushering me into a world where genders are reversed. In other words,it may have been an attempt to usher me into a different archetype for the trans world.
We have the nanny, we have the nun, and it may be that Skit 3 was an attempt to state that there is another possibility … that of the ‘gay woman’.
The problem is, I am not these things. I am the ‘straight woman’ at the church. I am the ‘Lightworker’ online.
I am not a gay woman. So I do not fit in, you see? I do not fit into that milieu at all. You might even say that I am in a different timeline and dimension from the trans world. It is completely different from my world. In that way there would be a lot less friction … a lot less commotion … if it were to be considered that I live in a different sort of reality.
Skit 4: Trans, Makeup Artist, and Lapdog
I will give you another example: Some while ago there was an incredible skit as I exited the door of my local Canoga Avenue post office. This skit used completely different people but somewhat similar roles.
There was a trans person who was portrayed as being of a race different from those of the trans persons in Skits 1 and 2. The trans person seemed to me to be a Caucasion person portrayed with blackface as being an African American. The trans was very alluring, very good-looking, and dressed in an outrageous fashion that was bound attract attention.
The trans was walking towards me … towards the door of the post office … carrying two baby carriages behind. One of them had a lapdog in it.
Image: “Lapdog,” adapted from Image by Leia Ohana from Pixabay – Pixabay Content License
. . . . .
I am not too sure of the role of the lapdog. I had an idea that a woman might have that role with the trans person … might have the role of ‘pleasing their lap’, if you get me … might be considered ‘a dog’, for being not very pretty, compared to the trans person … might be just the ‘lapdog’ in the baby carriage that he carries along behind him.
On the other hand, the lapdog might symbolize a role of the trans or gay man as a ‘lapdog’ who offers cunnilingus to an older woman, then steals her money and then deserts her. The notion that the I might be the lapdog might be thought of as a substitution or switching of the trans ‘lapdog’ role onto my person.
Standing beside the trans was the makeup artist … a young, good-looking Caucasian man, but different from the makeup artist in Skit 1, who at a quick glance had seemed to me to be a famous actor, or someone resembling him. This second makeup artist was standing there, waiting for the play to unfold.
There was no nanny.
The feeling I got at that time was that my life was in mortal peril, so I exited right away. I would like to explain about that.
The trans was made up as an African American homeless woman. I think the producers of the skit thought … because of a photograph that had been in my blog of an African American babysitter I had as a child … that I would take a cotton to the trans, as if the trans were my nanny or babysitter, and that I would be attracted to the trans and would want to talk to them.
I thought they thought I was like their mother or mother substitute, and that they held great rage against their mother … which rage they were transferring to me and thinking that I held great rage to them … and that this mixup about the rage would result in an outburst of rage against me that might involve physical violence.
On Being Stalked
I say that partly because for many years prior to that, the same trans person … in various guises … had been stalking me wherever I went … stalking and stalking.
From online, the prognosis for stalking is not so good. A lot of women lose their lives because of stalkers. The police department does not seem to be very helpful in that. It is up to us women to think of a way to get free of these stalkers and to keep safe.
Stalking I think has to do with control … the need to control other people. There is quite a bit online about controlling behavior, and getting away from it, and trying to find a social circle that talks and reaches compromises, rather than attempting to control or manipulate other people.
If for instance a person is trans but under cover, and you as a straight person meet this trans person, and then they get the notion that you are in on the secret, it is possible that … in order to keep the secret of their trans activities … they might stalk in trans guise (so as to avoid detection) … and that they might feel such a strong need to protect themselves that they might stalk and murder.
There is a very strong need to keep trans activities secret, in many cases … because such activities are not socially acceptable. The trans person in these cases about which I am talking was very deeply ‘under cover’ because the makeup and the disguise made it very difficult to figure out who they really were.
Every time I saw that person stalking me I got the feeling of being in mortal peril. There must have been a load of violent negative emotion behind the makeup.
Now it is not socially acceptable to say this. And I agree with society in general that there are many trans people who do not have this drawback of being dangerous.
But in my case … because of the stalking … because of the skits by many different people of many different races … I feel there has been a lot of money put into this performance art with regard to me. And I am not sure why.
I know that there is Soul wounding. I know that there is a ‘hangup’. I wish I could be of more help to those of you who are experiencing this.
I think there is a sub-segment of trans that are extremely dangerous people.
Maybe you will have ideas about this topic. I would welcome those ideas.
I hope that the trans people that may have been involved in this … if you reply, please do your best to be polite, and to observe the decorum of this blog, because very impolite, very out- there comments are deleted for the sake of my other readers.
I ask that you be forthright and honest about your feelings, and about what you think these symbols mean,
What does ‘trans’ really mean?
Why is it necessary for you to be the only woman, for instance?
Why do you have to be the very best woman and shove all the other women out?
Why can I not have a life?
Why can I not have a male friend?
What does this mean to you?
Why is it so important?
I cannot figure it out. There are so many people in the world! You could have your own social circle, in which you are greatly admired.
You are the star of the show. You are the star of the nightclub! Everyone wants you!
You do not need to keep coming around me. Why me?
You can find a nanny that really loves you, no matter what. I am not that person; I say it like I see it.
I see something really wrong. Something is really wrong. If for 24 years you have been stuck on stalking me, there is something really wrong! You know?
Just get on with it. Go on with your life. Be with your own circle of admirers.
You do not need to do anything at all with regard to me, do you not think that? It must be very expensive. Why do this? Just do not do it anymore.
I ask you: Why stalk? Why not let it go?
Even if … say … you are obsessive compulsive, you can easily switch that obsession and that compulsion to another object … or maybe all day long switch … switch … switch … so that people are not so greatly affected by the stuckness of that obsession.
Then as far as the makeup artists is concerned, I do not relate to that. I do my own makeup. I think the makeup artists are doing a wonderful job with you. I am glad that you have a makeup artist.
As far as the nun is concerned: I think that you should leave clerical orders to the people that earn them, and not pretend to be a nun, or a monsignor, or a pastor. Just let those people be,
You are talking more about the profane than the sacred, I feel. You feel that hatred is a form of loving relationship, I feel. But it is not. When you really enjoy the presence of another person, that is a good relationship. That is a relationship that is full of Light.
When you go to a place in order to create Darkness, as has seemed to be the case … as if you intend ‘dumping on me’ in all these places … that is not love; that is hatred.
There is a very great difference between love and hatred. One is Light … good for Lightworkers. One is Dark … not good for Lightworkers; not good for anyone.
Please keep in mind that I am really a Lightworker … posing as a regular, conservative straight woman, but not, in my heart, like that. I am a Lightworker.
I am posing as a conservative straight woman. You are posing as a very alluring, very attractive, show-stealing sexual woman. We do not need to conflict over this, because my true role in life is Lightworker.
I do not think I am getting anywhere with this … except to say that the roles you create all around you, and show to me … they have nothing at all to do with me.
It is not my purpose in being on Earth to relate to the trans, to the nanny, to the makeup artist, or to the fake nun. It is just not my role; you see? It is like you are trying to fit a round peg into a square hole.
I get that you might want to kill me because I do not fit your world view. But you can just say:…
Activation of Light to Optimize Timelines and Dimensions
Channeled by the Hathors through Alice B. Clagett 10 October 2013
Spirit to Team! Optimize Timelines and Dimensions! For the All, Through Free Will!
… and you will find yourself in a world where I do not exist. That is definite! If you optimize your timeline sand dimensions you will find me … the millstone around your neck; the obstacle you have to eliminate at all costs … gone from your universe forever! You do not have to be subject to cause and effect.
Just because you were born of a mother, does not mean that you have to carry a mother … like a millstone around your neck … for the rest of your life. I do not have to be that person. And I am not that person; I am a Lightworker.
. . . . .
I hope this helps, but I have a feeling I am not on pointe because I am not in that world and I do not know what is going on.
God bless you all,
And keep you safe,
And be with you
Through all your days.
In love, light and joy
This is Alice B. Clagett.
I Am of the Stars … and so are you!
Filmed and published on 18 January 2024; revised on 19 January 2024 and on 23 March 2026
This post is included here, as it appeared to me that the tableaus described above were scripted or screenwritten, produced, and/or sometimes acted out in part by ‘Castratrux – Basal Vampire’ … Link: “Compendium: Catastrophic Childhood Case Study: ‘Castratrux – Basal Vampire’,” by Alice B. Clagett, written and published on 14 March 2021; revised … https://wp.me/p2Rkym-m4H ..
VIDEO CREDITS
“Why Do Trans Stalk?
by Alice B. Clagett
Filmed on 18 January 2024
Location: San Fernando Valley, CA
Produced by Shoes
on 18 January 2024
CC BY-SA 4.0 International
IMAGE CREDITS
Image: “Trans,” adapted from Image by Jim Cooper from Pixabay – Pixabay Content License
Image: “Nanny,” adapted from Image by Sibeal Artworks from Pixabay – Pixabay Content License
Image: “Makeup Artist,” adapted from Image: “man-5996080_640″ by Makc from Pixabay — Pixabay content license
Image: “Nun,” adapted from Image: “The Virgin in Prayer,” by Giovanni Battista Salvi da Sassoferrato, between 1640 and 1650, in Wikimedia Commons … https://commons. wikimedia.org/wiki/File:Sassoferrato_-_Jungfrun_i_b%C3%B6n.jpg … public domain
Image: “Straight Woman,” self-portrait by Alice B. Clagett, 18 January 2024, CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..
Image: “Lightworker,” self-portrait by Alice B. Clagett, 4 January 2021, CC BY-SA 4.0
International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..
MUSICAL CREDITS
Music by Music_Unlimited from Pixabay
“Dreamy Ambient Background Music” — Pixabay License
Image: “Self-Portrait,” by Alice B. Clagett, 23 December 2023, CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..
Image: “Self-Portrait,” by Alice B. Clagett, 23 December 2023, CC BY-SA 4.0 International, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com ..
INTRODUCTION
VIDEO BY ALICE
SUMMARY OF THE VIDEO
VIDEO CREDITS
MUSICAL CREDITS
INTRODUCTION
Dear Ones,
This is an attempt to facilitate a clearing process for some rather sensationalistic ‘acting out’ experiences that have been happening.
There is a Summary after the video …
VIDEO BY ALICE
SUMMARY OF THE VIDEO
Hello, Dear Ones, It’s Alice. I Am of the Stars.
A very happy holiday season to everyone. I am going to attempt, now that we are at the beginning of the New Year, to facilitate a clearing process for a knot of energy that has been coming up lately. It is rather sensationalistic ‘acting out’ experiences that have been happening.
There have been two skits performed in my presence … one a few years ago, on the grounds of a Christian religious retreat center. I was the only person to observe the performance, so at the time I thought it might have to do with me.
I was there for a get-together to discuss sacred scripture. I was the first person to arrive. In the seat that I usually sat in at that outdoor place was sitting a trans person in a very sexual outfit … with zebra-patterned spandex tights and stiletto high heels and so forth ,… very sexual in demeanor.
Next to the trans person was what I have come to term a ‘chaperone’ … which was an older woman, much shorter … maybe a foot and a half or more shorter than the trans person. The chaperone was sitting there very meekly. She was a very fragile-looking person who apparently was the person to protect the trans person from being raped, I am guessing?
Leaving, off on the side, was what seemed to be a movie personality who may have been putting together the skit. So there were three people.
The trans person got up from the seat and sauntered past me, in the direction of the director. The trans person’s chaperone accompanied her.
The feeling that I got was one of extreme physical danger to me … a feeling of hatred welling up and exuding outward towards me, as if physical attack were planned for me.
That was some years ago. I would not bring it up to you again now if it were not for the fact that the same tableau has come up again. It was only a while ago … maybe a month ago. I was going from the parking lot of a church, across the grounds of the church, and towards the church. I noticed a trans person.
It was right before the service. It was very evident the trans person was there because their garb stood out so much. They were wearing hip boots with heels, but not stiletto heels … more like comfortable, walking heels.
They were wearing a tube dress that ended just at the bottom of their torso, so it exposed a length of leg from the bottom of their torso to the beginning of the hip boot. And so the look was very sexual … very unusual. It attracted attention.
Then I went into the church, past the people, and I sat down. As the people filed in, this trans person sat down directly in front of me, near the back of the church.
Next to this trans person was sitting another chaperone …. it was another very short, meek-looking, very fragile-looking older woman … more like a grandmother … who was, I think, in the role once more of a chaperone.
But there was one more figure. It was once more a tableau of three. Standing against the wall, right next to me, was a nun in the type of habit that used to be worn when I was in grade school.
So there were three people: The trans person, the chaperone, and the guarding nun.
You could say I was targeted by the Dark. I am beginning to get the feeling that I was targeted by some person who is putting together skits or performances, and has something that they want to tell me. But the question is: What is that thing that they want to tell me? … because they were not using words. No words were conveyed.
In this second instance, as the trans person got up at the end of the service to leave, I saw the trans person direct a slanting look at me that was also full of hatred … full of the desire to injure. And I felt that I had to be ready, on the spur of the moment, to protect my physical body from harm.
Fortunately nothing happened. It was just a look, as in the prior skit. But yet there was this heightened feeling of physical danger directly before me.
In my case, because I am a martial artist, it concerned me because in the pews, the way that people sit in the church, they are within the ‘ma’. They are too close together to be a safe distance between two physical combatants … two people who are engaged in combat.
The trans person had longer arms than I, and so therefore the danger was my own. With a punch, that person could reach me, and I could not reach them. Do you understand? It is called ‘invasion of ma’ in the martial arts. ‘Ma’ is the distance that is safe; it is about a yard apart. For people who are very good martial artists, the ‘ma’ is about five feet apart.
So anyway, I have to piece together the situation. Someone told me, on the psychic plane, that it is a way of expressing something that does not involve speaking to the person to whom the message is intended to be conveyed.
It could be a way of trying to resolve issues. For instance, it might be classed with creative writing, or with writing of poetry, or with drawing or painting pictures, or telling stories, as one of the ways that people use to resolve ongoing issues in their lives.
It could be these people who have been doing these skits are performing them for me on behalf of someone else who has an issue that he or she is trying to resolve. And so I am going to give it my best effort here.
I feel that there are issues around gender identification that have to do with fear of the opposite sex … fear of intimacy with the opposite sex … and concerns about competition … male-male competition, female-female competition, male-female competition, and female-male competition.
I am going to try to explain how this feels symbolically to me as a woman. It feels to me that each of the people who play the trans role in both of these skits has a feeling of deep hatred towards women.
From this I would derive that the person who put together the plays is intending to convey that he or she has a deep hatred of women.
And also I would say … because of the number of people set against me (or so it seems) in both of these skits … the woman (I, for instance) must be conceived of as incredibly powerful … as if two or three people are needed to prevent harm to the trans person.
So what I am getting is that the originator of the skits must feel hatred of women, and also fear of women, with the notion that they have great power … that they are capable of great power and that they need to be subdued by a number of people acting together.
So that is one thing. Then I have the chaperone. In both instances I have the chaperone. The chaperone seems to me to represent the disrespect that the originator of the skits has towards women … that he or she conceives the role he or she has with regard to women to be to relate to them as feeble, small, physically ineffectual people who could easily be conquered and killed. That is what I get … that in each instance, the trans person has so much hatred of women that he could easily injure or kill the chaperone who is there in some kind of socially acceptable role … perhaps as a spoof … perhaps to prevent the men in the congregation from raping the trans person, or to prevent me from approaching the trans person, who may be perceived as being infinitely desirable?
I do not know how I am doing with this! I am just coming up with this on the fly. You will have to forgive me.
So then in the second instance, we have the nun standing in the aisle, ready to reprimand me. First of all, I would like to make it clear that it is easy to buy these types of religious regalia online. And so it is possible, I think, that spoofs are being performed with religious regalia purchased online … maybe being performed by people in the movie industry … and that the intention might be to persuade the pastors at churches that the religious authority … the religious establishment. .. is behind the performances that are being given.
In other words, it could be that there is ‘false authority’ there, inspired by religious regalia that are purchased, and not actually condoned by the religious in question.
So this is the question: Was the nun really a nun, or was this habit purchased online? I cannot answer the question!
Let’s say that a nun was persuaded to be there, under the pretext that … say … I am a very dangerous person, and that the trans person … who was born a man, and who might have fighting ability, for all I know, and who seems to hate me, might have displaced or substituted me as the person who does the hating … and that the nun may have become convinced of this … and that she was standing there to preserve decorum in case I should have a verbal outburst with regard to the trans person?
If I walked into that church with that person’s clothes on, what would happen? If I tried to walk up and get communion in a Christian church in that outfit? I am just asking: Could I get communion?
So what are the rules to do with men and women regarding this? Is trans so popular that they can get away with anything? And I cannot, right? Why is this?
Who really needs protecting in this situation? The women need protecting, I feel. There is a great deal of hatred there.
Now let’s suppose that the woman who is in the religious regalia is actually just an actress. The cameras are rolling for the religious service. She is there to prevent me from injuring this person. And then if I put up a fuss … which would be far from anything I would ever do … then she would restrain me; and they would have some skit that they would be performing under the circumstances.
So let’s see: We have got the trans person, the physical danger to me, the physical danger to the chaperone. Then we have, in the second instance, the purported nun. We do not know if this is true or not true. The cameras are rolling for the church service. So it could be an intention to embarrass me in public.
But nothing happened.
If it is just an actor, it could be an intent to deceive me into thinking that the church is behind this performance … that there is true authority there. If the authority is needed in order to put on this performance, it must be considered that I am a very dangerous person, as a woman.
Something is up there.
We have an issue right now, with regard to hatred of women. How can I explain it?
In this stage production, two women and a trans person are set against one woman … me. That setting of the two women against another woman is a way of expressing female-female competition. It divides the ranks of women so that the trans person can attack the one woman and prevent the one woman from getting solidarity or support from other women. That is one thing.
The trans person is also intruding on the male-female prospects of the women in the congregation, because trans people also look for the romantic intention of male members of the congregation. So the trans person is also in competition with the female members of the congregation, in a female- female competition way.
A trans person who is involved in a sexual encounter with a man who is not trans … if the trans person behaves in the encounter in a receptive manner (as if he were female), he is, I feel, expressing a desire not to be hated by men … not to be competing with men. In other words, he is expressing a fear of the competitiveness of men, and a desire to have men love him.
I find there are MSM (men who have sex with men) relationships in which men bond. And there are also MSM encounters in which there is no bonding. And these chance encounters … these very quick encounters … are the trouble that comes up in social relationships.
That is because there is a disease called HIV that is being transmitted when there are lots of partners … many, many partners … maybe as many as 500 partners over the course of a number of years, when a person, whether trans or simply what is called ‘queer’ these days, is ‘on the circuit’ and very sexually active. And so, HIV is transmitted by one person to 500 people, let’s say.
Now suppose this is in a church situation. Let’s say, in the trans situation, that the trans person is infecting the men in the congregation with HIV.
Let’s say these men have wives. And the men infect their wives with HIV. And the women have children.
Infants to whom HIV is passed on by the mother, as I understand it, only live a year or two.
Now considering the scenario where gay men … or trans people … are passing on HIV to the entire congregation … I think it would take about 10 years for the entire sexually active congregation to be infected.
What will happen then is there will be no more children in the congregation … no viable offspring.
So we have to look at this as a symbol of what is going down in society as a whole. Unless there is a vaccine that prevents HIV from being fatal to newborns, then in the course of the next generation there will be a dramatic reduction in the number of viable births on Earth. The human population of the planet will greatly decline.
This will be good for Earth. I am sure it will not be the end of life on Earth for humankind. But I think that the numbers of human beings will create a more sustainable planet after that. We have that to look forward to.
We also have a need to help quell vigilante efforts and violence on the part of those who feel that certain persons are responsible for what is really going to be transpiring through God’s will … God’s will for Earth.
Getting back to this trans issue, I have my own concerns about it, because it is unfolding very slowly before me, through the will of someone who directs these actors, and who will not talk to me, and who apparently feels that the action of the actors is conveying a message that is patently clear.
I do not know what the message is, exactly. I can only speak to these various things that I feel, like …
the hatred of the actors. I do not know why they hate me. I do not know if it s me or a lot of different people;
the need of the trans person for support from women who will protect the trans person;
possibly the assuming of false authority roles … because it is hard for me to believe that a church would support such a performance on church grounds.
I might be wrong; it might be emanating directly from the authority of these churches. I do not know.
But if it is, then I feel it is through a misunderstanding regarding the need for women to be protected by men, and not physically assaulted by them, not raped by them, not treated disrespectfully by them, not verbally abused by men.
None of these are roles for men with regard to women in a Christian church. I think that is clear. It ought to be clear.
We are clearing through this Atlantean knot during Winter Solstice, and during the holiday season. With the coming of the New Year we are coming into a melding of the highest energies of men and women, so that in New Life on New Earth men and women can support each other, and create for Earth the vision of Christ consciousness.
We cannot do this by putting each other down, and warring with each other, and competing with each other. We have to achieve a mutual respect. What children we may produce who can survive early childhood we have to nurture and protect from that virus. We have to do our best.
I feel there will be children who are resistant to the virus. And if there are not, then there will be pockets of life on Earth where the virus never touches. There will be a New Age.
So, that is what I am thinking. Psychologists will probably read this and think: Aw, she is oversensitive. Or: She thinks this; she thinks that.
What can I say? That is what I think. That is what I feel..
And you know, if somebody comes up with a silent skit in front of you, I do not really know what to say, because it could be the intent is deadly. It seems like that to me.
This is not the only time that very odd skits have been performed in front of me. There are actors here … there are people here who are not good with words.
I think first of all, preserve your physical safety. That is the very first thing.
And if there is a setting in which physical violence can be restrained, and you can speak to these people and find out what is going on, why then, so much the better!
If not, then this video may stimulate discussion on the topic, because the topic is ever so weird.
I will add one or two more things, just so that you can get a notion of the scope of the situation.
I remember a few years ago I was in Malibu Creek State Park. Standing in front of me, facing away, were a number of people dressed in Franciscan habits. I got a feeling just then that I was in danger and that this was an acting troupe.
I went online and looked up their particular outfits. It turned out they were available for sale online.
There is no way of knowing whether this was true authority of the Christian church standing in front of me … or just actors. The more so because, across the road at the National Park Headquarters at King Gillette Ranch, there are a lot of acting troupes and movie operations going on. That lends credence to the notion that it may have been an acting troupe.
Here is another instance: A few years ago I was walking out of my local Post Office. In front of me was a young man, maybe six feet tall, or nearly so, and approaching was a trans person, maybe 5 feet seven inches, and who had on black makeup to make that person look African American.
He was carrying behind him two old-fashioned baby carriages on a train of rope or chain. In one of those was a lap dog.
This trans person was dressed in kind of a garish outfit, a pants dress, and was wearing on their buttocks what looked like large-sized potato salad containers, taped on.
I was afraid to stay They were obstructing my path, and I was afraid to stay and talk, because the situation was so outlandish to me that I could not figure any good would come of it.
That is generally my reaction to these acting skits that keep unfolding in front of me. It seems like there is a madman behind it, you know?
Maybe there is something cogent there. But it seems to me as if Soul wounding is unfolding in front of me … Soul wounding of a nature too dark and deep for me to fathom. I do not know what to say.
Usually I do the Buddhist prayer, which is God’s blessing upon all beings. Happiness to all beings. May they all have a roof over their heads. May they all have plenty to eat … That kind of thing.
That takes it out of the personal realm, and into the Infinite. God’s will, not my will. May God figure out what this is about, because it is completely beyond me.
That is all for now.
God bless you all,
And keep you safe,
And be with you
Through all your days.
And may this New Year bring forth for you all the wonders of God’s creation; all of your Ascension gifts; all of your Ascension abilities; and a chance to be the Light for all humankind.
In love, light and joy
This is Alice B. Clagett.
I Am of the Stars … and so are you!
Filmed and published on 23 December 2023; revised on 6 July 2025 and on 23 March 2026
This post is included here … Link: “Compendium: Catastrophic Childhood Case Study: ‘Castratrux – Basal Vampire’,” by Alice B. Clagett, written and published on 14 March 2021; revised … https://wp.me/p2Rkym-m4H ..
VIDEO CREDITS
“Pragmatic Prophet: Rage Expressed as Performance Art”
by Alice B. Clagett
Filmed on 23 December 2023
Location: San Fernando Valley, CA
Produced by Shoes on 23 December 2023
CC BY-SA 4.0 International
MUSICAL CREDITS
Music by Alexander Nakarada from Pixabay
“Moon” – Pixabay License
