Category Archives: Motor noises – low sounds

Suras and Asuras . by Alice B. Clagett

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Written on 15 November 2020; published on 18 November 2020
Location: Chumash Trail, Simi Valley, California

Image: “Chumash Trail, Simi Valley, California 2: Incoming Light,” self-portrait by Alice B. Clagett, 15 November 2020, CC BY-SA 4.0.

Image: “Chumash Trail, Simi Valley, California 2: Incoming Light,” self-portrait by Alice B. Clagett, 15 November 2020, CC BY-SA 4.0.

Dear Ones,

Yesterday I was standing atop a middling peak in Chumash Park, Simi Valley, California. There I had an expansive view of a quiet, upscale urban area. The breeze on the overlook was so gentle that there was but a small rustle of leaves round my vantage point.

Image: “Chumash Trail, Simi Valley, California 4: Viewpoint and Incoming Light,” by Alice B. Clagett, 15 November 2020, CC BY-SA 4.0.

Image: “Chumash Trail, Simi Valley, California 4: Viewpoint and Incoming Light,” by Alice B. Clagett, 15 November 2020, CC BY-SA 4.0.

Off in the distance, to my left I could hear the muted roar of Freeway 118. To my right I heard, far below me, the muted roar of lawn maintenance equipment in the yards of the suburbanites.

The sound of motors is ever prevalent in our urban centers … so much so that we tune it out. I feel this ever-present dull roar of motors is one of the factors that make the noosphere of our urban centers nearly unbearable to those of us with clair skills.

The fourth dimensional occult lore … the esoteric lore of the astral realm … would have it that there are beings known as Asuras … quite unpleasant beings, that cast a shadow over the works of men. These beings, it is said (and I affirm) are attracted to dissonant, raucous sounds such as those of motors. Thus the Asuras … unbeknownst to the casual observer … flock and swarm through our city airs.

Image: The Concept of Asura-Devas Migrated from India to Southeast Asia in 1st Millenium CE. Above Vayuphak Asura, from the Hindu Epic Ramayana, Represented in Thailand,” by Mark Fischer – Asura-Vayuphak Barge, 20 February 2012, in Wikipedia … https://en.wikipedia.org/wiki/Asura#/media/File:Asura_Vayuphak_Thailand_Ramayana_Hindu_mythology.jpg … CC BY-SA 2.0 … DESCRIPTION: “The Asura Vayuphak is a creature from the Himmavana forest as depicted in The Ramayana epic story from India. This creature is half giant (like his father) and half bird (like his mother). Ashuras demons in Hindu mythology.”

Image: The Concept of Asura-Devas Migrated from India to Southeast Asia in 1st Millenium CE. Above Vayuphak Asura, from the Hindu Epic Ramayana, Represented in Thailand,” by Mark Fischer – Asura-Vayuphak Barge, 20 February 2012, in Wikipedia … https://en.wikipedia.org/wiki/Asura#/media/File:Asura_Vayuphak_Thailand_Ramayana_Hindu_mythology.jpg … CC BY-SA 2.0 …

DESCRIPTION: “The Asura Vayuphak is a creature from the Himmavana forest as depicted in The Ramayana epic story from India. This creature is half giant (like his father) and half bird (like his mother). Ashuras demons in Hindu mythology.”

In the mountains, such as the mountain on which I stood yesterday, are the beings sometimes termed Suras …

Image: Indra, Leader of the Devas, Nepal, 16th century sculpture. From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase (M.69.13.4), in Wikimedia Commons … https://commons.wikimedia.org/wiki/File:Indra,_Chief_of_the_Gods_LACMA_M.69.13.4_(1_of_5).jpg … public domain … DESCRIPTION: “Devas are benevolent supernatural beings in the Vedic era literature, with Indra (above) as their leader. The above gilt copper statue of Indra with inlaid semi-precious stones is from 16th-century Nepal.”

Image: Indra, Leader of the Devas, Nepal, 16th century sculpture. From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase (M.69.13.4), in Wikimedia Commons … https://commons.wikimedia.org/wiki/File:Indra,_Chief_of_the_Gods_LACMA_M.69.13.4_(1_of_5).jpg … public domain …

DESCRIPTION: “Devas are benevolent supernatural beings in the Vedic era literature, with Indra (above) as their leader. The above gilt copper statue of Indra with inlaid semi-precious stones is from 16th-century Nepal.”

… nice beings that uplift the spirits of human beings and, through their very nature, refresh our mini-noospheres … the thoughts that tend to be in our personal brains … with the emotions of hope and loving kindness and joy in the moment.

Image: “Chumash Trail, Simi Valley, California 3: Incoming Light,” by Alice B. Clagett, 15 November 2020, CC BY-SA 4.0.

Image: “Chumash Trail, Simi Valley, California 3: Incoming Light,” by Alice B. Clagett, 15 November 2020, CC BY-SA 4.0.

In the occult lore there are various names for the hundreds of beings of the astral realm. In my own writings, I call the Asuras Demons or Devils or Negative Astral Beings. And I call the Suras Devas and Nature Spirits and Nature Elementals. You will find more about those beings in my blog categories by those names.

Here are two examples of the Suras: from my trek along the Chumash trail …

Can you see the faces of two brownies painted below the blue rock in this image? Paintings like these, I feel, mean that the brownies want other nature spirits to know that these rocks are their deeply cherished homes …

Image: “Chumash Trail, Simi Valley, California 1: Small Rocks – Beloved Home of Two Brownies,” by Alice B. Clagett, 15 November 2020, CC BY-SA 4.0 … COMMENT: Can you see the faces of two brownies painted below the blue rock? Paintings like these, I feel, mean that the brownies want other nature spirits to know that these rocks are their deeply cherished homes.

Image: “Chumash Trail, Simi Valley, California 1: Small Rocks – Beloved Home of Two Brownies,” by Alice B. Clagett, 15 November 2020, CC BY-SA 4.0 … COMMENT: Can you see the faces of two brownies painted below the blue rock? Paintings like these, I feel, mean that the brownies want other nature spirits to know that these rocks are their deeply cherished homes.

Can you see the two ‘eyes’ crafted by the spirit of the tree in the trunk of its charge? These vividly portray the sentient spirit of the tree; and that, I feel was the intention of the spirit of the tree in crafting them …

Image: “Chumash Trail, Simi Valley, California 5: Eyes of a Tree – Tree Spirit,” by Alice B. Clagett, 15 November 2020, CC BY-SA 4.0 … COMMENT: Can you see the two ‘eyes’ crafted by the spirit of the tree in the trunk of its charge? These vividly portray the sentient spirit of the tree; and that, I feel was the intention of the spirit of the tree in crafting them.

Image: “Chumash Trail, Simi Valley, California 5: Eyes of a Tree – Tree Spirit,” by Alice B. Clagett, 15 November 2020, CC BY-SA 4.0 … COMMENT: Can you see the two ‘eyes’ crafted by the spirit of the tree in the trunk of its charge? These vividly portray the sentient spirit of the tree; and that, I feel was the intention of the spirit of the tree in crafting them.

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In love, light and joy,
I Am of the Stars

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asuras, emotions, hope, joy, motor noises, nature elementals, nature spirits, negative astral beings, suras, unconditional love, clair senses, demonic realm, devas, photos by Alice, brownies, tree spirits, Lightworker photos by Alice,

Speed Demon . drawing by Alice B. Clagett

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Drawn and published on 10 May 2019

Dear Ones,

Here is a drawing for you …

Drawing: “Speed Demon,” by Alice B. Clagett, 10 May 2019, CC BY-SA 4.0, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com … DESCRIPTION: On the left, a car heading to the viewer’s left along a road; there is a driver with spikey hair. In front of the car is an arrow pointing to the viewer’s left; this arrow indicates forward motion. Behind the car are puffs of smoke. In the air above the puffs is a demon with a big head, big eyes, a smile, and spikey hair. Its body is wavy, like a soot-colored sheet blowing in the wind, its arms and legs are thin and wavy, and its fingers and toes are like the feet of a pigeon. The demon is trying to latch onto the back of the speeding car with one hand. Speed demons love the low, growling noise made by a speeding car, so you must imagine this demon howling an astral motor-noise duet, along with the sound of the engine.

Drawing: “Speed Demon,” by Alice B. Clagett, 10 May 2019, CC BY-SA 4.0, from “Awakening with Planet Earth,” https://awakeningwithplanetearth.com …

DESCRIPTION: On the left, a car heading to the viewer’s left along a road; there is a driver with spikey hair. In front of the car is an arrow pointing to the viewer’s left; this arrow indicates forward motion. Behind the car are puffs of smoke. In the air above the puffs is a demon with a big head, big eyes, a smile, and spikey hair. Its body is wavy, like a soot-colored sheet blowing in the wind, its arms and legs are thin and wavy, and its fingers and toes are like the feet of a pigeon. The demon is trying to latch onto the back of the speeding car with one hand.

Speed demons love the low, growling noise made by a speeding car, so you must imagine this demon howling an astral motor-noise duet, along with the sound of the engine.

. . . . .

In love, light and joy,
I Am of the Stars

The drawing is featured in Link: “Tiny Anthologies: Demons, Devils and Ghosts . drawings and images by Alice B. Clagett, Published on 3 August 2020 … https://wp.me/p2Rkym-jnZ ..

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Except where otherwise noted, this work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
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demons, motor noise, negative astral entities, speed demons, drawings by Alice,

Light Quotient Delta . by Alice B. Clagett

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Filmed on 7 April 2019; published on 17 April 2019

  • VIDEO BY ALICE
  • SUMMARY OF THE VIDEO

Dear Ones,

After I made this video on Light Quotient Delta, I found myself at a place near a busy, noisy road, and my Light quotient dropped precipitously. Back to back with this, I found myself, in a group environment, in close proximity to a person with what seemed, from an astral stance, to be samskaras of physical rape. Almost right away, I had an experience of what has come to be termed ‘psychic rape’, and had to leave that place.

Because I found the experience uncomfortable, I suggest caution in placing ourselves, as Lightworkers, in environments where the Light quotient is very different from our own … although, as stated in the video, we can adjust to these environments if need be. Here is the video …

There is an edited Summary below the video …

VIDEO BY ALICE

SUMMARY OF THE VIDEO

Hello, Dear Ones, It’s Alice. I Am of the Stars.

I have a message for Lightworkers today. It has to do with Light quotient and Light quotient delta; that is the difference between one person’s Light-bearing capacity and another person’s Light-bearing capacity.

As Lightworkers, because their central vertical power current is clearer and more capable of carrying heavy loads of Light energy than are other peoples, we often run into the problem of Light quotient delta between ourselves and whatever group of people we are in.

The difficulty with Light quotient delta is that it increases the noospheric chaos and the ionospheric chaos, and can lead to greater probability of chaotic events in our personal sphere of influence. And so it is good to avoid large Light quotient delta between ourselves and the groups of people in which we find ourselves.

My suggestion is this: Imagine that you are in the downtown area on a Friday night or Saturday night, in a poor area where there are lots of homeless people sitting on the streets. Say you are walking alone there. What would you do in that instance?

What you want to do is to fit in as well as possible with the people who are there, so as not to stand out too much, and not to create the possibility of chaos in your personal noosphere that evening, right?

So one thing to do is to dress down, to the level of the people that are there on the street. In the other thing to do would be, not to drive a fancy car over there, for instance, if you had a fancy car. And yet another thing to do, would be not to talk down to them or be mean to them, or display a lot of cash in a wallet, or anything of that nature.

You would want to fit in, right? And that is exactly what we Lightworkers need to do when we move from a high energy congregation or group of people, to another group of people that have mixed or lower Light quotient. We need to ratchet down our Light. That is a skill that we all can practice through affirmations.

We can affirm, with our Ascension Team, that we wish our Light to be similar in brightness to that of the group of people that we are around. We can explain that, so that we can continue our mission on Earth through not having danger to our physical form. And then our Team will help us match the Light of the area in which we find ourselves. Not to worry about this: As Lightworkers, we like a lot of Light, but we can add and subtract Light anytime we want, so as to fit in with the right circumstances where we are, on physical Earth.

So, just to let you all know: That is all we have to do. It is good to be aware of it, and to know that, if we are carrying a very great load of Light, say, during the next solar flare, or something like that, probably the best thing to do is to sit and meditate in a quiet place, without too many people around … unless those are also people who are Lightworkers.

All right, take care, in this turning from the solar minimum, back towards the solar maximum, in a time of great hope, and looking forward to the future.

In love, light and joy,
I Am of the Stars

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Except where otherwise noted, this work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
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Light quotient, light quotient delta, homeless, poverty, affluence, abundance, chaos, chaotic nodes, noospheric dissonance, motor noises, lightworkers, solar minimum, solar maximum, hope, solar events, psychic rape, rape, noosphere, Ascension team, samskaras,

Succulent by a Busy Street . by Alice B. Clagett

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Filmed on 7 April 2019; published on 5 August 2019

  • VIDEO BY ALICE
  • SUMMARY OF THE VIDEO
    • Photo by Alice

Dear Ones,

Here is a very short video of a succulent near a busy street. As there are no words, only an image is in the Summary.

VIDEO BY ALICE

SUMMARY OF THE VIDEO

Photos by Alice

Image: “Succulent,” by Alice B. Clagett, 7 April 2019, CC BY-SA 4.0

Image: “Succulent,” by Alice B. Clagett, 7 April 2019, CC BY-SA 4.0

. . . . .

In love, light and joy,
I Am of the Stars

…………………..

Creative Commons License
Except where otherwise noted, this work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
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motor noises, nature, succulents, photos by Alice,

How Do Predators Hypnotize Their Prey? . by Alice B. Clagett *

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Begun on 31 May 2018; published on 26 June 2018
 I feel this article may help us understand how sociopaths can hide in the midst of normal people for years, without being detected.

Image: “Fox Women (Kitsune in Human Form), Japanese style woodcut by Bertha Boynton Lum, 1908, in Wikimedia Commons … https://commons.wikimedia.org/wiki/File:Bertha_Boynton_Lum,_Fox_women,_1908.jpg … public domain … DESCRIPTION: Three women in kimonos, holding hands and dancing languidly in a circle under the full moon.

Image: “Fox Women (Kitsune in Human Form), Japanese style woodcut by Bertha Boynton Lum, 1908, in Wikimedia Commons … https://commons.wikimedia.org/wiki/File:Bertha_Boynton_Lum,_Fox_women,_1908.jpg … public domain …

DESCRIPTION: Three women in kimonos, holding hands and dancing languidly in a circle under the full moon.

  • PREDATOR-PREY SCENARIOS
    • The Mongoose and the Mamba
    • The Stoat and the Rabbit
    • The Cuttlefish and the Crab
    • The Wolf Pack and the Hare
  • DEMONIC OBSESSION OR POSSESSION: RHYTHMIC MOVEMENTS WHILE STALKING PREY
    • Case Study: The Man with the Demon and a Twitch [Castratrux – Basal Vampire]
    • What Is the Hypnotic Mechanism Used by a Person Obsessed or Possessed? [Castratrux – Basal Vampire]
    • Sidle and Strike: A Martial Arts and Boxing Technique
  • PENDULUM OR PENDANT SWINGING MOTIONS USED TO MESMERIZE
    • Swinging Motions Used in Hypnosis
    • On Lulling a Baby to Sleep with a Rhythmic Movement or Noise
      • Rhythmic Movement of the Baby
      • Rhythmic Cloth Stroke on Baby’s Face
      • Rhythmic Noise
    • MONOTONOUS, LOW SOUND INDUCES SLEEP
    • FATIGUING THE EYES SO AS TO PUT AN INFANT TO SLEEP
      • Eye Fixation and Eye Fatigue: Habit of Associating a Physical State with Unconsciousness
      • Rocking the Baby and Eye Fatigue
      • Mesmeric Hand Pass and Eye Fatigue
      • Equilibrium Disorientation and Eye Fatigue
      • Slowing the Rhythm (Frequency Following Effect)
    • MOVEMENT OF AWARENESS FROM THE CONSCIOUS MIND TO THE UNCONSCIOUS MIND
      • Predation as an Encounter of the Unfettered Primitive Mind of an Antisocial Personality (ASP) with a Victim’s Socialized Mind which Represses Thoughts of Killing
      • The Lull or Sleep Effect: Casting of Consciousness into the Unconscious Realm
      • Childhood Socialization through Nay-Saying by Parental Figures
      • The Shadow of the Personality: Deeply Repressed Bubbles of Hate
      • The ‘Bad Little Child’ Inside Us
      • Habits That Associate Conscious Mind to Unconscious MInd
      • Similarity of ASP’s Hunting Method to Baby Eye-Tiring Techniques
      • The ASP Rat-a-Tat Effect: Rapid Rhythm of Nay-Said Thought Forms May Be One Way to Induce a Trance State
    • SIMULTANEOUS STRIKE BY ASP GROUPS: PACK BEHAVIOR THAT DRAGS THE AWARENESS OF A VICTIM FROM THE CONSCIOUS TO THE UNCONSCIOUS STATE
      • Simultaneous Strike ASP Dyad (Folie à deux)
      • Simultaneous Strike ASP Threesome (Folie à trois)
        • Thuggee Cults of India
      • Simultaneous Strike ASP Six (Folie a famille ou coterie)
        • Binding Down of a Person’s Third-Eye Point
      • Simultaneous Strike ASP Eleven (Folie a famille ou coterie)
    • THREE DIFFERENT WAYS TO HYPNOTIZE
      • The Non-Pattern
      • The Pattern That Lulls, and the Strike
      • Simultaneous Strike by a Pack [Castratrux – Basal Vampire, Heart Vampire]
    • CONCLUSION

Hello, Dear Ones,

I have been doing a study, on youtube, of the ways that animals that are predators use to hypnotize other animals so that they can catch them.  I have a vision of how this knowledge will benefit humankind, which I have described in the Conclusion.

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